The free workshop will stream live over the internet on March 4th, 5th and 6th (If you can’t make it to your computer during that time, creativeLIVE will give you the option to purchase the course to keep as part of your permanent collection –
you can sign up to get a discounted price on the course prior to 6 p.m. on March 7).
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A detailed course schedule will go up live on this site – one week from today.
Make sure to follow both @creativeLIVE & @vincentlaforet for the upcoming two weeks to get updated information on the workshop & to get more details on how you can win some pretty fantastic gear & software giveaways from: Adobe (CS5 Suite Premium!) Apple, Schneider, B&H, Kessler Crane, Cinevate, Redrock Micro and more…. The gear giveaways alone are well worth following us on Twitter!
WANT TO BE THERE IN PERSON IN SEATTLE?
If you’d like to be one of the lucky 6 participants you’ll need to submit your own video:
1. Record a 60-second video saying why you want to join me in Seattle. (Hint: I’ll be looking for videos that are original…witty…fun…photographers making the transition from stills to video are STRONGLY ENCOURAGED)
2. Post it to Vimeo or YouTube
3. Tweet the URL for that Video on Twitter and include @creativeLIVE and the hashtag #laforetLIVE
Deadline: Friday, Feb 25th. Be prepared to make quick flight arrangements if you are picked!
Below is a link to LAST YEAR’S WORKSHOP – which serves as a foundation of sorts to the upcoming workshop.
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Yesterday Cinevate launched their brand new DSLR rig – the Simplis. As the name suggest, this rig is simple and small. While it could serve as the foundation or core of a larger rig, it seems to me that it’s uniqueness comes in its size and scalability. The rig uses ball bearing joints in multiple places that would not only allow you to adjust your rig on the fly – but will also allow you to fold it down into a more compact configuration. These two features make this an excellent rig for the documentarian or photojournalist who is constantly on the move. To top it off, Cinevate has a record of building very solid products – so it stands to reason that this rig could also deal with the wear and tear that comes with constant travel. Head over to Cinevate’s site to check the rig out!
And hats off to Imaginarium Studio for making such a cool promo spot!
While many of you out there know me as a gear-head (yes – I do like my toys ;), I have always stressed the importance of story. I have said that films must have original narratives/characters/and themes with which an audience can engage. There are tons of cool effects and graphics out there which are great eye candy – but ultimately those that do not have a story to tell will be lost amongst the deluge of content out there. Of course – an original story is not the easiest thing to come up with, much less tell. Nowhere is this more apparent than in Hollywood, with all of its remakes/sequels and seemingly unoriginal content. The video below addresses this trend in filmmaking (Part Two):
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(Watch the whole thing! A great little analysis of Kill Bill at the end)
At first glance, the video seems to discredit the notion of an original story at all. But a second thought should reveal this to be something that we have always known. We’ve been remaking the same stories since the advent of storytelling. If you really break it down you can classify all stories as a basic struggle between man v. man, man v. nature, or man v. himself. These conflicts make up the bulk of all stories – the elements around them have just grown in complexity as storytelling techniques and conventions have grown upon and informed one another. There isn’t a huge difference between Shakespeare’s Romeo and Juliet and the Greek myth of Pyramus and Thisbee save a couple thousand years of linguisitic and theatrical developments. But they share a common conflict of the human condition that has engaged audiences for millennia.
The video above says as much – and what I find so interesting about it – is that instead of pointing out a lack of originality in modern storytelling – it strives to redefine that originality. It simply proposes that “everything is a remix” of the elements that have come before it. Therefore, originality is not the genesis of some new unknown idea – but the compounding of two ideas that have come before it to create a new meaning. The same is true for all arts and letters – as they make up the mediums for all communication. They have evolved over time – incorporating new techniques and developments. Language is the most pertinent example – you must understand the meaning of all the different words you are using to put them in sequence and express an idea.
And so let me rephrase my thoughts on originality of story. I still believe story is important. A good story engages an audience and captivates them. Variations of the same stories have done it since the inception of drama. If we take into account what the video above explains about the re-use of stories over time, then we should be lucky that we have such a large repository of story elements to draw from. As filmmakers we should focus on understanding all of these elements and how they might work together to set forth new ideas. For this is how we will attain originality – not through telling a story that no one has ever told – but by expressing an idea, opinion, or point of view that has never been considered.
You can check out Part One below, and Parts Two and Three will arrive in the coming months. A sincere congratulations to filmmaker Kirby Ferguson for putting together such a well constructed and informative piece.
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