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Joining Chase on Chase Jarvis Live this Weds

I’m joining my bud Chase Jarvis live on his 90 minute show this Wednesday, March 2nd at 10:00 a.m. Seattle  Time  (1 p.m. NYC or GMT -8)    To steal straight from his blog because it’s been a long day wrapping up a lot of pre-production for this weekend’s upcoming HDDSLR workshop – here are the details:

In this 90 minute show, we’ll talk shop, cut thru all the fluff, cut past Reverie and all the hubub to the meat of the things that matter. We’ll also be taking your questions LIVE via my @chasejarvis twitter handle, hashtag#cjLIVE.

It’s free. It’s live. Just point your web browser tohttp://www.chasejarvis.com/live on Wednesday.

Who: You, Me, Vince Laforet + a worldwide gathering of photographers and filmmakers
What: Get to know the real Vince Laforet and his career + answer your questions LIVE
When: this coming Wednesday, March 2nd at 10:00am Seattle time (1pm NYC or GMT -8)
Where: just visit www.chasejarvis.com/live
Want to get Vince to answer YOUR questions?

If you have any questions you’d like to ask in advance – pls DO NOT POST HERE – but DO POST questions on Chase’s blog HERE so we can find them all in one place!

 

creativeLIVE Schedule & Gear Giveaways!

OK here we go!   This coming Friday through Sunday promises to be a very exciting 72 hours!  As most of you who read the blog know – we will be shooting and broadcasting live on web the second part of our creativeLIVE HDDLSLR workshop titled “HDDSLR – Moving From Still to Video with Vincent Laforet

The workshop will be broadcast free during that 72 hour period and go on sale thereafter.

We will also be giving away an insane amount of gear during the workshop – to be eligible to win it – all you need to do is to follow @creativelive and @vincentlaforet on twitter – that’s it!  We’ll send everyone more details as we get ready to give stuff away.

For those of you who took part in the first workshop a little under a year ago – here’s how this workshop will differ from that one.   The first workshop focused heavily on gear and theory.  We did a little bit of shooting and a quick edit.  This workshop will flip that around – we’ll focus a bit on some new gear, and on some other important things you need to know prior to any shoot.  But most of our time will be spent actually shooting.  We’ll discuss a little theory of course – but ON SET and DURING a shoot.  We will also devote a good chunk of the first day to workflow – both with Apple’s Final Cut Studio and Adobe’s CS5 suite, from ingest to output – and even backup – something a lot of this blog’s readers have been clamoring for for awhile!

See below for a list of what we’re giving away (all you need to do is follow @vincentlaforet and @creativelive to have a chance to win – there is no need to purchase anything of course.)   Below that you will find out syllabus for the workshop.  I hope you can join us online!   See you in a few days!

Zeiss is giving away their Planar 50mm f/1.4 ZE Lens ($725.00 value).

PNY is giving away a media bundle that includes two (2) 10ft HDMI cables and a 16GB Class 10 (133x) SDHC card ($90.00 value).

Cinevate is giving away their Atlas 10 Slider and new Simplis DSLR Rig ($1205.00 value).

Redrock Micro is giving away my own Custom Configuration kit #3 from our Gear Page ($3370.00 value)!

Schnedier Optics will be giving away a set of four ND Filters (.3, .6, .9, 1.2) ($1000.00 value)

Manfrotto is giving away their 504HD/536K Tripod Kit ($1099.00 value) as well as one of their 561 BHDV-1 Monopods ($270.00 value)!

Kessler is giving away their 3 ft. CineSlider ($1199.95 value)

Vimeo is giving away 10 Vimeo Plus memberships ($59.95 annual value).

Adobe is giving away a copy of CS5 Creative Suite Production Premium ($1,032.00 value).

Marshall Electronics is giving away their new 5″ LCD Monitor ($516.00 value).

And last but not least, Go Pro is giving away 3 of their GoPro HD Helmet Heroes and including a tripod and skeleton housing with each ($300.00 value each)!

FULL SCHEDULE (all times PST)

DAY 1 (Friday March 4): (ALL TIMES  Pacific Stand Time)

10:00am PART I (90 min of 2hrs)

  • Introduction
  • My 5 top HDDSRL Configurations and their specific uses
  • New Gear that’s been released since April 2010.

11:30 break (15 min)
11:45am Finish Part 1 (30 minutes)
12:15pm PART II (90 minutes)

  • The Importance of Pre-production no matter the size of your production
  • Production Needs and Considerations – we’ll make sure you’re ready to face any potential you should expect to face on any video production.

1:45 Lunch (45 minutes)
2:30pm PART III (90 min of 2 hours)

  • Workflow (iMovie, FCP, Premiere, MPEG Streamclip, Color and a quick look at After Effects)
  • Data Management and Distribution

4:00pm Break
4:15pm Part III (Finish 30 min)
4:45pm Q&A
5:00ish End of Day

DAY TWO (Saturday March 5):

10:00 am DOCUMENTARY WORKSHOP

  • Shoot a short documentary piece as an introduction to the building blocks of any motion piece.  We’ll discuss some fundamental
  • basic camera shots
  • basic camera moves
  • basic shooting techniques

11:30am Break (15 minutes)
11:45am DOCUMENTARY WORKSHOP (Sit down interview + live subject/B-Roll shoot)
1:15pm Lunch (45 min)
2:00 pm DOCUMENTARY WORKSHOP (con’t)
3:00pm Break (15min)
3:15pm Edit the final documentary w/ EDITOR  (2 hours)

  • We will sit down with an editor and go through an edit, demonstrating how all of our shots fit and work together.   This will include lining up audio and workflow on Adobe Premiere CS5.

5:15pm Q&A
5:30ish – End of Day

DAY THREE (sunday March 6 :

10:00am  – CINEMATIC WORKSHOP

  • we will workshop a short narrative scene, delving into greater detail behind the basic building blocks we learned in Day two and how they are used to tell a story in a narrative piece.
  • Coverage
  • Shooting Rules
  • Lighting
  • Scheduling
  • Storyboards
  • Optimized shoot schedule (i.e. shooting things non-linearly to save time.)

11:30am break (15min)
1:00pm Lunch (45 Min)
1:45pm CINEMATIC WORKSHOP (con’t)
3:00 Break (15min)
3:15pm EDIT the final piece w/ EDITOR with Apple’s Final Cut Studio 2 hours

  • We will sit down with an editor and go through an edit, demonstrating how all of our shots fit and work together.

5:15pm Q&A
5:30ish – End of Day

 

iDC Systems

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My friend and fellow Canon EOL Bruce Dorn has developed a camera support system for photographers that want to get into shooting video.  The system has been winning a steady stream of awards over the years.  The iDC system comes in two variation “Zero” (shown above) and “One” (shown below) and includes a selection of accessories – both of which use a gearless follow focus unit.  The support system and its accessories are all made to work together.

The advantage of this system is that it’s incredibly straightforward and cost effective. It’s a great system for people who want to a.  keep things simple or b. test the waters out. These handheld rigs can indeed be built out for example – they can be used on sticks, with a Zoom H4N, and an onboard Marshall monitor.

The important point here is: if you want to build your rig beyond that (to have more of a modular unit that you can re-build into multiple different configurations and one that  and one that you add a different follow focus unit, a standard rod-based matte box, or an Anton Bauer battery w/ plate for example) you will likely end up having to start over with a different kit. (*** New note:  there is a new adaptor for System One that allows the use of 15mm rods – so that matte boxes are now supported.   And you can also (as with any bare camera system) donut the System Zero onto rod systems from RedRock or others by using the standadard 1/4-20 fasteners.)   This support system is self contained and wasn’t designed to become part of a larger “cinestyle” rig – one that has rods, and cine accessories. The iDC kit’s strenght is in it’s relative simplicity and low profile elegance, and it seems to be a great fit with photographers who want to be able to occasionally integrate video on their shoots, or who want to keep their kits straightforward as opposed to people who want to move into full on video production, or want to build a modular system up to slowly over time.

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Also check out the following video to see the unit in use with fellow EOL Tyler Stableford.

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