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It’s here – my thoughts on the new Canon 1DX MkII

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo by Vincent Laforet

 

For the past week or so I’ve been lucky to get a chance to shoot Canon’s new flagship camera – the EOS 1DX MKII.

As many of you know, I used the previous version of this camera extensively on the AIR project in conjunction with the Canon 5Ds.     I came to call the 1DX the “king of the night” for it’s incredible low light performance.   It seems Canon has continued to push the envelope with this camera in that area and added quite a few significant features.

The big question these days with any camera it seems is:   is this a still camera or a video camera – given the wild moves towards motion that the industry has taken over the last several years.

I’d say the 1DX MKII lives comfortably in both worlds right now.

First, with 14 frames a second and C-Fast 2.0 cards, this thing is a monster in terms of still camera capabilities.   As you’ll see on this sequence of surfer Tom Dosland wiping out and falling from the lip of a 40-foot-wave at JAWS in Maui, this camera produces quite a sequence of frames on peak action.

Frankly you almost feel like you’re shooting a film with a mechanical camera at this point – and good luck trying to fill the buffer with the new speedy cards.   In this case I was using the Sandisk 128GB Sandisk C-Fast 2.0 cards which were literally hot to the touch when I ejected them from the camera.

This sequence was shot with the Canon 800mm 5.6 and the AF didn’t miss a lick.   My only regret is not having shot a little looser on what were what some describe as the waves of the decade at JAWS.

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo by Vincent Laforet

Tom Dosland at JAWS. Photo sequence by Vincent Laforet

 

I shot two days at Jaws and nearly 8,000 frames (I was trying to demonstrate the sequence potential of the camera for Canon so I shot unusually heavily) and of the approximately 9 hours of shooting, the AF only veered off momentarily for one sequence out of nearly a hundred.   Quite impressive.

Here are a couple of additional images I shot of a diver off of South Point on the Big Island yesterday.   The resolving power of this camera is incredible (looks like a groundbreaking sensor)  and quite visible on the face of the rocks…

 

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Other than the built-in GPS functionality which allows you to track your path, and of course to collect GPS data while you shoot and embed them in each still frame, the biggest surprise were 3 new video functionalities.

First, the camera has built in AF with face recognition for video and a touch screen display.   And it works pretty solidly.   Although surfing isn’t quite a torture test for an AF system (although it does have to be quite precise) I can’t recall a single sequence where it failed me.   It just worked…

The comes the 4K video which results in nearly crystal clear video on an Apple MacBook Retina display.   I’d love to see a Canon Log feature added to this camera at some point, as the dynamic range of the video is quite impressive.   I’m not going to claim that it rivals that of RAW format high end cinema cameras, but for an SLR it’s quite excellent.

The two big surprises for me were that the camera shoots 60 fps at 4K (around an APS-H sensor focal length equivalent for 4K), and 120 fps at 1080p.     And that’s a significant bump in frame rates – notably for a DSLR.

 

I expect to come back and post some video samples from Hawaii and JAWS in the coming week, but the clips are so large that I’m going to have to wait to get back to the mainland and faster internet speeds to upload them at this point.

Overall I’m extremely impressed with this camera.     It’s as with all Canon 1D series bodies built like a tank and ready to be exposed to almost any series of conditions you throw it at.

The AF performance, the frame rate both still and in motion are quite impressive.   And the GPS, touch screen AF, live view and customizability of functions are welcome additions to what was already the very definition of a “workhorse.”

And lastly a nice surprise was the battery performance.   As is often the case with prototypes, I was only able to get one battery.   With live view, constant AF on a 200-400mm, and a combination of still + mostly video shooting on the second day, the camera was able to last nearly 4 hours of use (with period shut downs to conserve battery.)   That’s impressive.   As a still camera I think it’s safe to assume this camera would survive heavy use for an entire day if not more – but I haven’t been able to do a formal “scientific” test.

Lastly – with the high ISO performance come exceptional results in the “middle” ISO area.   During daytime and normal levels of sunlight, I found myself shooting a 800-1250 ISO and 1/4000th of a frame and f/8 on the 800mm f5.6.   This is the first camera to let you shoot past f 5.6 with all AF sensors from Canon and achieve excellent AF results – but most importantly the quality of the frames at that high ISO is exceptional: they look no different to my eye to what I would have expected at 200 ISO just a few years back.

Incredibly impressive low light performance too – here’s a 50mm f1.2 at 1.6 with a  10 second exposure at 6400 ISO –  shot at 12,500 feet elevation!

 

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Below is detailed list of specs for the new Canon 1Dx MKII camera:

 

Specifications

  • 20.2MP CMOS Sensor
  • Dual pixel CMOS AF in Live View
  • Dual DIGIC6 + processor
  • ISO100-51200 (extendable to ISO range 50 to 409,600)
  • Continuous shooting 14 frames / sec.
  • Live View mode at 16 frames / sec – high-speed continuous shooting new mirror drive system to allow the (at 16 frames / sec.)
  • Continuous shooting possible number is 170 frames in RAW and Unlimited in JPEG
  • 61-point AF system, which range is expanded. 41-point cross-type
  • AF is -3EV correspondence
  • AI AF accuracy and motion tracking was improved Servo AF III + – 360000 dot metering sensor.
  • Video at 4K up to 60fps.
  • Full HD (1080p) up to 120fps.
  • 4K video can be recorded to internal CFast2.0 Media
  • Movie Servo AF – LCD monitor 3.2 inches, 1.62 million dot. Touch panel for AF point for video shooting.
  • Camera digital lens Optimizer (DLO).
  • Lens aberration correction.
  • Diffraction correction
  • CFast2.0 and Compact Flash dual card slot
  • GPS built-in – 2-axis electronic level
  • USB3.0 terminal, HDMI terminal
  • Size of 158mm x 167.6mm x 82.6 mm
  • Weight 1340g

 

 

Open Invitation To The Opening of “AIR” at the Fahey Klein Gallery, December 10th in LA

Screen Shot 2015-12-07 at 11.03.56 PM Screen Shot 2015-12-07 at 11.04.04 PMThis has been and continues to be a HUGE few days for me and for AIR. We’ve just shipped the first 1600 signed books (all pre-orders were signed, see below for what kind of daunting task that was – there are only about 800 in the picture below!).  And all current orders have shipped as of today.   If you order a book as of now, it will ship on the same day.

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This week is the launch of my first solo gallery show at the Fahey Klein Gallery in Los Angeles – this Thursday actually.

In the very earliest days of conceiving what Project AIR was going to be about, I wanted to offer up the chance for those who were interested to see prints from the project. A month or so after our second series of flights, we came up with this idea for a gallery show at the end of the project and put this in our project proposal document. Little did I know, less than a year later, this would actually be a full blown reality.

As photographers and visual artists, for many of us, it remains something of an (increasingly) elusive dream to have our work displayed on a gallery wall somewhere.   While I’ve sold fine art prints for years independently, this is something different entirely – it’s a HUGE honor to have the AIR images represented by the Fahey Klein Gallery in LA.

Fahey Klein is hugely respected in the field of photographers in it’s roster, including some of my photographic heroes, like Cartier-Bresson, Elliott Erwitt, Neil Leifer, Annie Leibowitz and Irving Penn to name just a few. It’s incredible and humbling to be represented amongst such greats, and to be shown on the same walls as some of these masters of the craft. While the prints are still being hung and arranged, you can get a sense of the space from a past exhibition below.

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The exhibition opening night runs on December 10th, from 7-9pm and if you’re in the area please come join me at the gallery. Feel free to come down and bring your friends, we’ll have large AIR prints up on the wall and would be great if you could stop in and say hi.

If you can’t make the opening, the prints will be up all through January 2016, so do try and stop in and let me know what you think – seeing the images in the book, a lithograph or online is one thing, but seeing them printed and hung on the wall is another world entirely!

For those that can make it, the details are:

Fahey Klein Gallery, 148 North La Brea, between First Street and Beverly Boulevard in Los Angeles, CA 90036

The press release with the full details is below:

Read the rest of this entry »

 

The 2015 Holiday Gear Guide

The “Ultimate” Holiday Gear Guide

We’ve gone through a LOT of gear this year on a pretty wide variety of still, live action, and time lapse jobs this year that have taken my team and I a few times around the world in the last 12 months (150K miles plus = if you consider earth’s 24,901 mile circumference, we’ve technically flown 6 times around the planet, and that has resulted in a LOT of extra tags (and fees!))

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This gear guide has proven to be the most popular post of the year for several years now so here goes!

Between Project AIR and the huge amount of gear we carted around the world, to commercial shoots and all the jobs and personal projects in between, I’ve probably put more gear in use this year than in any other year before.

As photographers and filmmakers our careers depend on the gear we use (and whether or not it performs when we need it to, especially in remote locations which are becoming more and more common it seems), so I take what I use very seriously.

With all that in mind, I’ve put together my annual Holiday Gear Guide.  These are the products I’ve used consistently over the last year or more that I’m happy to recommend, based on what I consider their exceptional quality, performance and reliability in the field.

While there is no such thing as an  “ultimate” guide because as everyone out there has different needs and aspirations, this is gear that I’ve worked with directly – and I can say that I’ve put all of these items through their paces and they’ve all performed just as I’ve needed them to!

 

Cameras:

Canon 5DS R

While the Canon 1DX continued to be my work horse during much of the AIR night time work thanks to the fast frame rate and excellent low light performance, the more I saw the incredible images coming off of the Canon  5DSr from the air, the more I pushed my luck with slower shutter speeds to use it  (The Canon 1Dx gives you 1 to 2 more stops in low light given that the sensor produces a smaller megapixel image, and therefore the individual cells are slightly larger and therefore can capture more light – this is a general rule you can apply to all cameras:  more resolution or megapixels, the harder it will (generally) be for it to do as well in low light relative to a higher res camera.)   The Canon 5DSr camera brings a level of detail and in-the-field capability to the 5D line up that is really incredible.

I use both the Canon 5Ds and Canon 5DsR by the way – I’ve found the “R” model is ideal for aerial.  But don’t be fooled, it’s not just a resolution bump.   With all of those extra pixel comes so much more color detail and incredible transitions between colors and gradients.   The images are far superior on almost every level.   And this series of cameras is my go to camera these days.

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Here’s one of the images we shot over Sydney of some surfers with the Canon 100-400mm – it’s truly impressive when you see this level of detail up close!

 

 

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And if you want to blow your prints up BIG, it certainly doesn’t hurt to have this camera in your arsenal!

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Canon C100 MKII

The C300 MkII is a wonderful camera that delivers amazing low light performance, AF and 4K.    But for those of you who are looking for the perfect entry point into video up from the DSLR world, the Canon C100 MKII is the way to go in my opinion.   This is always a camera we would bring with us (alongside the Canon C300 MkI) on our year-long trip around the globe for AIR. For speed and ease of use, lightweight and ergonomic design and low light capability coupled with the new dual pixel AF, you simply can’t go wrong. We slung these (and a Canon C300 with the upgraded AF) on a MoVI M15 and used it in solo mode, and with the AF turned on, and we were able to perfectly track and hold focus on a moving subject.    If you want to pick up a camera and “run and gun” out of the box with either your current Canon EF lenses,  or fancier cine lenses this is the camera I would recommend.

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Hasselblad CFV-50c 50MP Digital Back

The Hasselblad CFV-50C 50MP digital back was a stunning partner to my 503 this year.   In fact I bought a used 503 body this year and 4 lenses (for a fraction of what that kit would have cost when I was in my early 20s – when I definitely couldn’t dream of affording it.)  This is definitely what I would call a ‘nostalgic’ purchase.    There’s something about looking down thru that prism, focusing manually, and hearing the shutter click and winding it back manually.   It is the most “anti-digital” feeling you can get these days for those of us who want to slow down while not having to sacrifice ANYTHING in terms of image quality.    When coupled with the classic Hasselblad lenses, the image quality is simply incredible, and there is currently a huge $5k+ saving to be had on the back, meaning it’s down from $15K to $10K.   Sure it ain’t cheap – but compared to what a new system with 3-4 lenses used to cost … you can have a great system (of used bodies and lenses which can be easily found online) for 1/2 to 1/3 of what it used to cost new. The fact this integrates so well with a body like the 503 makes it a wonderful accompaniment when you want the feel of shooting film but enjoy the ease and versatility that shooting digital provides.   This was my travel camera for the first half of the year (and was an amazing camera in Iceland) and came with me across Europe.

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Lenses:

Canon f4 11-24mm and Canon f4.5 – 5.6 USM IS 100-400mm II

The biggest lens discovery during Project AIR was the Canon 11-24mm. It has produced some of the most dramatic aerial shots I’ve used and you can read my full thoughts on it here.   It’s the sharpest wide-angle lens I’ve ever used in 35mm photography.   Period.  On the other end of the spectrum, theCanon 100-400mm f4.5-5.6 USM IS MkII is also ridiculously sharp,  one usually expects to sacrifice image quality with these zoom lenses over primes, but I haven’t been able to say that’s the case here…. this lens helped get some incredible shots that I simply couldn’t have achieved without it (because we simply couldn’t justify flying around the globe with my #1 favorite telephoto lens, which is heavier and bigger (and requires its own case..) the Canon 200-400mm.   The fact that that lens is as sharp as it is, and has a built-in 1.4X converter that you can flip on or off – has literally become the go to lens for almost every single sports and nature photographer that I know today.

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Monitors:

Small HD 502 Monitor

This is without a doubt, one of the most outstanding monitors I’ve come across in a while. Small and perfectly formed, HDI and SDI in/out with cross conversion, 441 PPI display – and while it doesn’t quite have the real estate of the Atomos Shogun, when you need something small in a very compact and lightweight package, this is a fantastic tool.   I’ve seen this monitor on almost every single camera package that crews use out there as well… it’s caught on INCREDIBLY quickly and that truly says a lot.     This is hands down the #1 on camera / on board monitor I would recommend to any crew – from low budget all the way up to Hollywood.   And if you look around you’ll see it’s being used on big motion picture sets as well as on smaller productions of course due to its affordability.

 

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Atomos Shogun 4K HDMI/12G SDI Recorder / 7” monitor

Without a doubt, the Shogun has been one of the key pieces of gear for us through AIR, allowing us to monitor and record out simultaneously, integrating a stunning 1920×1200 IPS touchscreen display and being capable of 4K recording to 30fps (and 1080p at 120fps). The clarity and screen real estate is superb. Between this and the small form factor of the Atomos Ninja 2, I’ve become a firm supported of Atomos products over the last few years.   For those of you looking for something incredibly compact that you can slap with velcro onto almost any camera from an iPhone, a DSLR to a C300 MKII or even and Epic or Alexa – you should definitely consider an Atomos Ninja Star.

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Data Management/Storage

G Tech 512GB ev SSD / 1TB ATC w/Thunderbolt / 64TB Studio XL

Quite simply, I haven’t trusted my data to anyone other than G-Technology products for close to 5 years now. While we travelled for AIR this year, I shot over 100,000 images and my entire workflow was based around managing large amounts of chunky data while on the move. The 512GB SSDs, the tough 1TB ATC units for redundant back up and off-site transfer, and the 2 larger 64TB Studio XLs, one on each coast, have never once failed me. For more detail on the workflow for AIR you can check here and you’ll probably learn more than you ever wanted to know 😉  But these are my go to drives as I am shooting an average of 10-20TB a year now of raw still + video footage.   The Canon 5Ds files aren’t small, nor is 4K – and especially so at higher frame rates!

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In addition, G Tech’s 4TB G drives and the 6TB G-RAIDs with Thunderbolt are incredible for larger storage solutions and I actively utilize these both at my offices in LA and NYC.

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SanDisk Extreme Pro CF cards and Extreme Plus SD card

These Extreme Pro CF cards are the only cards I put in my cameras. Fast, secure, reliable, no buffering (even when hammering the 1DXs from a vibrating helicopter) these are what I trust to capture both my stills work and the video we shot while on the go. The Extreme Plus SD cards are the perfect complement to the C100 MkII.   And for those of you in need of SSDs for your laptops, or for your external recorders – don’t hesitate to use the SanDisk SSDs – they’re amazingly fast and reliable.

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Lighting

Hurley Pro Westcott lights

For on the go options for daylight balanced lighting, we’ve been playing with Peter Hurley’s new Flexkit. The quality and quantity of light that the Westcott kit kicks out is incredible. The kit isn’t cheap – but being able to roll these up and throw them in bag, and build out the frames and have them set up on location in minutes is absolutely worth it. Daylight balanced and with incremental dimmer switches (which work on a % output) gives perfect control and balance.   And at the end of the day:  it’s all about the quality of the light and how your subjects look – and this kit does that incredibly well without having to drag in a ton of light modifiers and that’s why they get the nod.

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Bags

Tenba – Shootout 14L Action/Go Pro backpack and XL Attache roller case

For both AIR and commercial work where we’ve had to travel with significant amounts of gear (at times up to $250,000 worth) and that means two things:  the gear MUST arrive safely and ready to use THAT day, and also: the more gear you fly with, the greater chance you have of something getting damaged…  I’ve used the Tenba Attache rollers and their versatile Shootout Action / GoPro backpacks, both of which served me wonderfully in the field.

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The rollers present a lightweight alternative to the larger Pelican’s I’ve typically used in the past.    They’re wonderful to work out of and much more comfortable to roll, lift and have a lot of nice bells and whistles such as fedex/shipping pouches built in etc.Vincentlaforet_Tenba_Shootout_Attache7Vincentlaforet_Tenba_Shootout_Attache_BH1

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The small Tenba backpack served us perfectly for our BTS video work (at times we were using 4 GoPros out and about) as well as a small travel day pack for either my Hasselblad kit, or my 5Ds kit.    This is in fact the backpack I use every day – and on every trip for a year whether I’m shooting or not.    The new MacBook fits PERFECTLY in the front pocket, giving me a full backpack to put all of my personal electronics, sundries etc in the backpack – even clothing!     It’s small and compact (meaning that it forces discipline and it never gets too heavy) but it’s VERY intelligently designed.   There’s room, on top for my Bose in ear headphones (these are so important to me that I now own two pairs – see below) and has room  in the front for my sunglasses.
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In the other pocket of my backpack is an emergency Delorme inREACH Satellite device (see below) that I travel the world with (you never know when you won’t have a cell phone service in many parts of the world, let alone in death valley in CA for example – what would you do if you or your crew got hurt … or your car broke down.)

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INSIDE THE CASE/BAG:

Pelican 1510 SC and TrekPak Foam Inserts

I’ve used pretty much every case and bag ever made (no I’m not kidding … I’m a recovering bag-aholic!). Given how tough airlines have become … and international restrictions, you now need a case that CAN be checked if you’re not going to be given the choice … and to make sure your most prized gear (that you’re carrying on for a reason…) survives the nightmare scenario of a “forced check on.”   That’s where the Pelican 1510 come in (we have 5 of them, and usually travel with a minimum of 3 on each trip.  In fact we have different colored ones so we can quickly identify which case is which.)   We put our Canon kit with prime lenses in one,  our G-Tech Hard Drives in another,  and our Video kit in the 3rd.   That way no matter what: if our luggage gets lost we’ll always be able to shoot the moment we land…
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Bags

 

One thing that has literally changed the way we pack it is TrekPak foam inserts – these inserts are infinitely reconfigurable (and painlessly so – compared to velcro dividers, and of course the disastrous pic and pluck 😉   We’ve put these in every one of our small cases and all of our carry ons for all of AIR now and I’m super happy. I love these as I can quickly add another lens and change the configuration in seconds so that the lens is nice and snug.  I believe we have 3 Pelican 1510s  with these and 2 larger cases.  I should also mention we’ve been using the 1510 SC case – that has a laptop compartment on the top lid (see above)

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Apple

The biggest surprise of the year for me in terms of how I use computers is Apple’s MacBook.   I had literally been counting the years until Apple upgraded their Macbook Airs with a Retina display.   So I bought one of these immediately when they came out.  I didn’t know if I couldn’t depend on this as my main computer…   It HAS become my main computer – and not just for web browsing, I actually use Lightroom and Photoshop on this machine.    Now let me be honest:  for big jobs we use MacPros LINK or MacBook Pros that we travel with, and at our offices we use the iMac5K retina (LINK) because the screen is just so amazing, especially when you need to judge images for the book and for fine art prints.    You can see every little detail on the 5K screen BEFORE you print it … and we proofed the entire book on the iMac5K and with our Canon iPF4100 LINK printers for final proofs.

But for my day to day – I use the MacBook for pretty much everything – and have also proofed quite a few photos on this Retina display by the way…   my previous favorite laptop the 13″ MacBook Retina has literally been gathering dust for almost a year now.  I don’t think I’ll ever go back.   That being said that 13″ and 15″ MacBooks are the perfect tools for the road warriors who don’t travel w/ MacPros (most of you!)   But I now use the MacBook as my go to computer and haven’t looked back.    It’s so compact and light that I have to double check that it’s actually packed in my Tenba backpack by hand before every trip…   The fact that the power brick is almost half the size of the MacBook Pro’s doesn’t hurt either…

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AppleTV

Just a quick mention of what would make the PERFECT holiday gift for a good client, friend or of course family member … the new Apple TV is it.   It’s the right price point and people always have a free TV it seems…  I’ve had one for almost 2 months and the remote alone is worth the upgrade.   I’m sure that as Tim Cook predicts – the “Apps” on the AppleTV might actually become something pretty useful over time … regardless, the remote combined with Siri are actually worth the upgrade alone.   I regularly say “rewind 10 seconds” or “find “x” movie” and it does – that’s impressive and a lot less painful than searching for it w/ the old remote on iTunes, the Netflix, then Hulu etc…   (Oh how spoiled and lazy we have gotten! 😉

 

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Audio

RODE Link Wireless Lav filmmaker kit / VideoMic Pro compact shotgun

RODE has developed some outstanding products that we’ve used exclusively this year for our audio work this year. The Wireless Lav mics are incredibly simple and reliable and we captured all of our voice over and audio with them. For those looking for cheap, rugged and reliable alternatives to the standard Sennheiser G3s – these are them! The new compact Videomic shotguns have also been excellent additions to the audio gear we traveled with. They are tiny, light, run on a single battery that seems to last forever, and work as a great compact, omni-directional shotgun option.

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Bose Quiet Comfort 20 Noise Canceling in-ear headphones

The Bose Quiet Comfort Noise Canceling headphones have literally saved me this year – I literally won’t leave home without them. With another year of almost too much travel, frankly, these headphones just provide the comfort and isolation needed when it’s time to travel. Not the cheapest, but I still don’t think these can be matched.   I’m not a fan of over the year headphones as they are bulky, and you often can’t sleep with them on (if lie your head down an cover the microphone these will often produce a high pitched screech.)  These are also the PERFECT conference call headphones  – and God knows I spent a LOT of time on the phone and conference calls.   The noise cancellation makes it a little bit easier to hear the 12 people on the speaker phone(s) on the other end of the line…   When you’re running off to the airport and moving around and MUST be on a call simultaneously – these are the secret weapon you’ve been looking for.   So they’re a) perfect for travel/flying/music and comfort and b) indispensable for conference calls..

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Accessories:

Kessler Second Shooter Bundle & Parralax for 3’ CineSlider

Kessler has been my go-to for timelapse gear and the Second Shooter bundle adds 3 axis motion control to the arsenal. Their sliders were also utilized during our workshops and the Parralax provides a fantastic tool to provide inward and outward panning motion during a horizontal slide move. I cannot emphasize enough just how much the quality of what comes out of Kessler continues to impress, backed up by solid support and a team dedicated to filmmakers everywhere.   For those of you looking to take your first step into time lapse with motion – this is the smartest and most affordable way to go.   For that price point: you won’t find ANYTHING that competes – and even if you already have a full system, this system is so compact that you can easily add a second or 3rd camera with it without suffering in the extra baggage line…   As your needs grow Kessler offers systems all the way up to the CineDrive system where you can use an iPad to keyframe every move, focus pull, zoom, pan, til, slide and even boom up or down when you get super creative!
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Parallax

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Sanho P18 Hyperjuice 1800mAh Dual USB Battery

There were a few instances this year when we were out in remote locations where the Hyperjuice was absolutely essential. Every one of us should have the ability to power our devices anywhere, and these seem to provide the best bang for buck I’ve found. The dual USB ports are also great to share charging with a friend or to power 2 devices off of the same unit.  I actually often go to hotels overseas where I am either too tired to find the proper power adapter and I’ll charge two phones, or a phone and iPad for several nights with this unit.    If you go outdoors for time lapse and/or are camping this is the big secret out there.   This hyperjuice lives in my Tenba backpack 24/7 – literally.

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Goal Zero Yeti 400 Solar Generator

This might seem extreme to some – but if you need to power a microwave / refrigerator / LED lights / hard drives / Laptops and even a MacPro in the middle of a desert … this relatively compact unit is the solution.     This unit is absolutely invaluable for when on the go on location – especially when stuck on location for a number of days and simply won’t have access to power.   The Yeti 400 can also provide real time power directly from the sun which will allow you to power small electronics (think laptops for data management and transfer). No noise, no exhaust – the perfect, environmentally friendly solution to the standard gas powered generators.   It also has cigarette plug, 2-USB ports, 2 household plugs and direct connect to many laptops.    This isn’t just for shoots of course – for those of us who live in Earthquake parts … well let’s just say I have this in my power backup solution outside of a small generator which has clear pros and cons (fuel…)    This unit is a wise investment both for personal and professional use.

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Lee Filters and holder and Formatt Hitech ND kits

The Lee Filters An essential piece of kit we’ve used consistently this year to control the light outside (you can just about see the NDs here in action for our GE shoot).    I’ve bought and entire kit, inside these Mindshift filter holder bags which are awesome! – including many many lens diameter adapters.   But this is a must have for any serious still shooter in my opinion – whether for aerial, landscape, nature or architecture. As an aside, the Lee set is excellent but the filters are resin – if you want glass filters, I recommend the Formatt hitech filters.

 

 


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LeeFilter

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FormattSoftNDkit

Surefire Px3 light

More than just a sturdy flashlight, this shot was lit entirely from the light output of the Surefire. We simply bounced it up into the rotors of the helicopter creating a beautiful soft light.    These are the perfect companion for camping, shooting on location in terms of durability, low power draw and INCREDIBLE output.    I have one of these hidden in every part of my home, my car, and my gear cases.   They are legitimately great lighting tools on a shoot where you didn’t plan on needing lights at first…

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Arca Swiss CUBE C1 Geared Head with Quick Release

Of all of the heads I’ve ever used for stills – wow, this is the single more painless and precise in terms of leveling and accuracy.    Ballheads are amazing – but as you know, when you need to make a super precise little change – they can be maddening … this is the solution.   This is the best you can find and made by hand …  expensive?  Sure.   Ridiculously precise and a stress combatant on high pressure shoots or sunsets … Absolutely.   I own a dozen amazing ball heads from GREAT companies… I can honestly say:  once you’ve used this … you’ll never go back to a ballhead.  Ever.   And if you’ve spent thousands on a still kit, a medium format kit – this is the ballhead for you!

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Inspire 1 with 4K camera and 3 axis gimbal

If there is one thing 2015 has shown us is that drones are not only here to stay, but are becoming an increasingly important element within the filmmakers arsenal to get epic overhead shots or sweeping, establishing wides.   The permitting thing is an entirely different discussion …  so let’s leave that aside for now.   DJI is continually pushing the envelope with new drone development. We used one of these out in the desert a few months back and it was incredible to see just how far things have come since the first Phantom came out just a few years ago – the speed of this thing, the programing capabilities out of the box (you can set destinations or paths with your iPhone or iPad) and the stability and quality are truly impressive – as is the case you can get with it (it travels well!)

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For those not looking to spend as much but still get a great 4K option (but without the ability to switch out the camera or run a separate camera operator), take a look at the Phantom 3 – still a fantastically robust and well built piece of drone gear.  And when you err “collide” with a tree … a little less painful than the Inspire 1 “collision.”

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Finally if you DO end up with one of the Phantoms, I can definitely recommend the Think Tank Airport Helipack Backpack for safe and secure transport of the drone itself.

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Project AIR Book / Project AIR lithographs

We’ve worked on this project for over a year now … and I can’t resist but to mention new Project AIR book, and lithographs now on sale in my own Holiday gear guide!      Through the end of November (the next 4 days,) if you use the code ‘holidayAIR’ you’ll get 20% off on your order.

I’m obviously far from impartial… but these make the perfect holiday gifts.  In fact most people are buying multiple copies of the book – I assume to give as gifts and keep on for themselves.     To that end we’ve put up a special series of bundles to address that need – and also to give you the opportunity to get an autographed copy .

The Lithographs are also pretty beautiful and special.    While I can’t yet own a copy of one of my favorite photographers, Henri Cartier Bresson’s prints on my wall – I’ve had a poster of his for 2 decades and it has moved with me thru several homes…  I wanted to make sure people could also have the opportunity to do something similar with AIR without having to face the associated high cost of fine art prints and framing.   The Lithographs (a fancy word for poster – but these are near continuous tone and of pretty amazing quality) are meant to address that.

And by the way:  the support you provide when you purchase a book and/or a litho goes directly to offsetting the project costs (helicopter time isn’t cheap!  It’s about $40/min for those of you who wonder … ) and to funding our team’s continuation in photographing future cities!

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Lithos

 

Regardless of how you celebrate and wherever you find yourself over the Holidays, have a safe, peaceful and enjoyable time, thank you all for the positive messages and support through Project AIR this year, and here’s to the new adventures that await us all in 2016!   It’s fair to say that the project would never have taken flight without your support (literally.)      Thank you all of the support of this project, of this blog, and over the years.

Sincerely – Vincent Laforet