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Expect an announcement on this blog within 24-48 hours.

We’re putting the final touches on the piece that includes what I’ve called a "game changer" including a behind the scenes video tonight.    If all goes well, we should have the piece up by tomorrow evening or Friday (barring any technical difficulties.)

I’ve been directing a commercial in the midwest all week and my goal was to post the piece up by tonight.   But given how busy we are, and the fact that this "device" and its creator are also with me here on this shoot (I really can’t imagine ever going to any shoot without this "device" as part of my standard kit ever again) it’s been particularly difficult to get all of the logistics lined up as people on both the east and west coasts are helping us with the finishing touches.

So WHAT is this "device?" 

Here’s what I can tell you with all due honesty:   I have a hard time imagining the day where I won’t be using it on a shoot.   While I’ll always rely on other types of "devices" on my shoots for specific purposes, this is the ONE I would pick were I given the choice to pick only ONE.   And that’s not something I say very often.

One of the reasons you should be interested in what this is, is the fact that almost every single filmmaker whether they are documentary shooters, indie filmmakers, or major hollywood directors or DPs will find that this device will allow them to do their jobs in ways they never could before – but that they have always dreamed of since they first picked up a camera.

The Canon 5D MKII was a "game changer" for several reasons.   It had a huge sensor that was incredibly sensitive to low light.   It was relatively affordable (under $3,000 at the time) and especially so when compared to the cameras it came to compete with at the time.    And it allowed all of us to create imagery that competed with the "big boys" as well as shots that were never possible with traditional cameras at the time due to its weight and size.   It truly allowed us to do things that we all dreamed of at the time – and that many of us have since come to take for granted.

Just as the 5D MKII didn’t come to replace all other cameras and never will, neither will this device.   But the HDSLR Revolution definitely had quite a significant effect on our industry.  

I’m predicting that this device will follow a very similar path and will stir things up (in a positive way) in our industry.  I know it has already changed the way I shoot.  And while it will be more expensive than the Canon 5D MKII was, its price will pale in comparison to the current tools that it will come to compliment or perhaps even replace.    

And that to me qualifies it as a genuine "game changer."   Not only is the technology behind it amazing, but it’s also going to be within reach for the vast majority of "us."

Lastly – I appreciate  and respect this blog’s readers.  I don’t make these comments lightly.  I have been dreaming of this type of device ever since I first picked up a camera that produced moving images…   and now that I’ve had a chance to use it, I think the vast majority of you will come to feel the same.

 

Technicolor Event at NAB

Quick update – Due to popular demand Technicolor has added seats and is making it available exclusively to my blog’s readers:
 
Join me at this exclusive Technicolor event at NAB:  How color plays a vital role in the creative process from four points of view: the director, the DP, the colorist and visual effects artist, all told from industry leaders responsible for some of the most compelling stories of our day.

The discussion will be followed with a Q&A session with our speakers. Afterwards, you will have a chance to use the new Technicolor Color Assist and experience this innovative software yourself. Cocktails will be served.
 
6pm April 10 at the LVH Ballroom 
 
 

 

 

NAB 2013 Schedule and “something very special” coming to this blog Part II

Every year there’s ONE event I try not to miss: the NAB Show in Las Vegas where you’ll find EVERY single video accessory all the way up to full sized helicopters inside the convention center.     It’s one of the largest conventions of the year in Vegas.

I’m also very excited to help introduce a piece of camera equipment that I think clearly deserves being called a "game changer."  

Nearly five years ago I posted a blog post titled "Something Very Interesting is coming to this blog…and to our industry" – and that was the post that was the precursor to my launch of "Reverie" the first video every shot by the Canon 5D MKII.   And we all know what happened next with the explosion of the Canon 5D MKII and how that affected our market.

From the moment I laid my eyes on the Canon 5D MKII I knew there was incredible potential almost immediately.  I often say that "the bulb didn’t just go off over my head  it exploded."

I feel the same way about the device that I shot with a few weeks ago – and haven’t felt that way about ANYTHING I’ve seen or shot with since the Canon 5D MKII (The RED Epic is close – the only reason it didn’t make the list was due to the fact that it’s simply not affordable to the amateur market.)   And that’s why I’ve chosen to to repeat the same blog title for only the second time in nearly 5 years for this launch…

We plan to launch a short video this week on this blog prior to NAB – so stay tuned.  We’ll launch a Behind the Scenes video shortly after.   I really don’t want to oversell this new piece of technology – but I really can’t help but imagine a hundred ways it will affect the way filmmakers approach their shooting,  regardless of their budget,  in such a "game changing" way.    To be fair this new device won’t be as affordable as the Canon 5D MKII was – but once you understand what it does, you’ll see it will pay for itself in days relative to what other things it replaces and how it can fundamentally change the way you shoot.

Ok enough teasing…

(But one important HINT:  It’s NOT a camera… which makes it very interesting to thing:  what could make almost EVERY film maker out there interested in this new technology, regardless of what they shoot, regardless of budget… that’s NOT a camera. And yes while I realize I’m posting this on April 1, this is absolutely not an April Fool’s joke.)

Now back to NAB:

There are many reasons that I love to go:  You get to see all of the cutting edge technology there (and it often gives you great ideas for potential shoots or uses that you otherwise would never come up with – because you might not have had the chance to see the gear in person let alone test it live…)   

But the number one reason I go:  almost all of my friends in the video/film/commercial business are there!  And it’s a party.  I’ve made many long-term friendships and professionally fruitful acquaintances there.  It’s lead to a tremendous amount of future collaboration!

Here’s my schedule for the week if you plan on being there:

Monday April 8th:

10:30 a.m. G-Tech Press Conference Rom N231 (we’re announcing a very cool piece of gear there too..)

1 p.m. Canon Booth #C4325

6 p.m. Red Giant Party (Invitation Only I believe.)

8 p.m. G-Tech Party – Hard Rock, Real World Hotel (Invitation Only I believe.)

Tuesday April 9th:

11 a.m. Canon Booth #C4325

3 p.m. Kessler  Booth

8 p.m. Kessler/Vimeo Party @ Mandalay Bay (Invitation Only I believe.)

Wednesday April 10th:

12 p.m. Intel /Adobe Botth

12:30 p.m. G-Tech Booth

1:45 p.m. Teradek Booth w/ Dan Chung

3 p.m. Canon Booth #C4325

6 p.m. Technicolor Event "The Master’s Eye" LVH Ballroom (Invitation Only I believe.)

8 p.m. Masters in Motion Party – MGM Grand Hotel and Casino (Invitation Only I believe.)  I’ll get there closer to 10:30p.m. – 11 p.m. when it gets crazy…