NAB 2013 Schedule and “something very special” coming to this blog Part II
Every year there’s ONE event I try not to miss: the NAB Show in Las Vegas where you’ll find EVERY single video accessory all the way up to full sized helicopters inside the convention center. It’s one of the largest conventions of the year in Vegas.
I’m also very excited to help introduce a piece of camera equipment that I think clearly deserves being called a "game changer."
Nearly five years ago I posted a blog post titled "Something Very Interesting is coming to this blog…and to our industry" – and that was the post that was the precursor to my launch of "Reverie" the first video every shot by the Canon 5D MKII. And we all know what happened next with the explosion of the Canon 5D MKII and how that affected our market.
From the moment I laid my eyes on the Canon 5D MKII I knew there was incredible potential almost immediately. I often say that "the bulb didn’t just go off over my head it exploded."
I feel the same way about the device that I shot with a few weeks ago – and haven’t felt that way about ANYTHING I’ve seen or shot with since the Canon 5D MKII (The RED Epic is close – the only reason it didn’t make the list was due to the fact that it’s simply not affordable to the amateur market.) And that’s why I’ve chosen to to repeat the same blog title for only the second time in nearly 5 years for this launch…
We plan to launch a short video this week on this blog prior to NAB – so stay tuned. We’ll launch a Behind the Scenes video shortly after. I really don’t want to oversell this new piece of technology – but I really can’t help but imagine a hundred ways it will affect the way filmmakers approach their shooting, regardless of their budget, in such a "game changing" way. To be fair this new device won’t be as affordable as the Canon 5D MKII was – but once you understand what it does, you’ll see it will pay for itself in days relative to what other things it replaces and how it can fundamentally change the way you shoot.
Ok enough teasing…
(But one important HINT: It’s NOT a camera… which makes it very interesting to thing: what could make almost EVERY film maker out there interested in this new technology, regardless of what they shoot, regardless of budget… that’s NOT a camera. And yes while I realize I’m posting this on April 1, this is absolutely not an April Fool’s joke.)
Now back to NAB:
There are many reasons that I love to go: You get to see all of the cutting edge technology there (and it often gives you great ideas for potential shoots or uses that you otherwise would never come up with – because you might not have had the chance to see the gear in person let alone test it live…)
But the number one reason I go: almost all of my friends in the video/film/commercial business are there! And it’s a party. I’ve made many long-term friendships and professionally fruitful acquaintances there. It’s lead to a tremendous amount of future collaboration!
Here’s my schedule for the week if you plan on being there:
Monday April 8th:
10:30 a.m. G-Tech Press Conference Rom N231 (we’re announcing a very cool piece of gear there too..)
1 p.m. Canon Booth #C4325
6 p.m. Red Giant Party (Invitation Only I believe.)
8 p.m. G-Tech Party – Hard Rock, Real World Hotel (Invitation Only I believe.)
Tuesday April 9th:
11 a.m. Canon Booth #C4325
3 p.m. Kessler Booth
8 p.m. Kessler/Vimeo Party @ Mandalay Bay (Invitation Only I believe.)
Wednesday April 10th:
12 p.m. Intel /Adobe Botth
12:30 p.m. G-Tech Booth
1:45 p.m. Teradek Booth w/ Dan Chung
3 p.m. Canon Booth #C4325
6 p.m. Technicolor Event "The Master’s Eye" LVH Ballroom (Invitation Only I believe.)
8 p.m. Masters in Motion Party – MGM Grand Hotel and Casino (Invitation Only I believe.) I’ll get there closer to 10:30p.m. – 11 p.m. when it gets crazy…
Camera equipment, game changer, …?
Maybe continuous lights, my guess ๐
WOW way to grab my attention Vincent, one question before you announce it , How Much? ๐
How many letters and “O”s in the brand name?
Ok now I’m excited, or is it scared?
haha I’m staying tuned
Should be logically..not?
Canon:: digi12 ++++
4:4.2
12bit
global shutter
fullhd-2k
24-120frames…
Sony and others goe theire way. And some little too.
And so the show goes on..
And maybe one day, we fly from this planet only because, it
was more than that happens now…
What i like is less Marketing and MORE INGENIUS…
Its like Pininfarina designs something in red.
I do not prefere the ocularbullshit some do..
Vincent Laforet Reply:
April 1st, 2013 at 5:26 am
It’s NOT a camera. Realize my mentioning the 5DMKII and Epic might lead people that way… so I will clarify that it’s NOT a camera. That’s what makes it even more interesting…
something like google glass that projects the filmed video directly onto your eyes. ๐
so you donยดt need monitors or viewfinders anmyore.
or a small external motor for focus pulling. ๐
fully programmable, with eye control via google glass and attachable to 90% of all video or DSLR lenses.
Kessler, no doubt.
I’d like a video recorder (Atomos, Blackmagic, SoundDevices, etc.)
โข with built-in 5″ 1080p IPS display (as found in many Android smartphones)
โข and capable of streaming wirelessly to iPad.
Also lusting for Panasonic 20″ 4K tablet and Sharp 32″ 4K IGZO LCD.
my guess would be:
raw in some kind of add on ๐ because thats what the 5d MK II and the red epic differentiate…hmm but on the otherhand more expensive thatn the 5D MK II so 3k$ for and firmwareupdate / external raw recoder,,hmm we will see but i cant wait for the NAB goodies ๐
cheers janosch
I’ve seen what Vince is touting and it’s no bullshit, get ready to grab your jaw off the floor. This is gonna be a solid NAB all around.
My guess is, its a 24-bit raw retro & real time budget enhancement device that finances our movies, while they are shot. Want to be able to afford Pitt/Jolie on your set? Switch it to “on”.
Whatever else it is – apart from my professional guess above – you’ve made us jumping around the tree for good…. ๐
A state of the art Nd filter
April fool?
Vincent Laforet Reply:
April 1st, 2013 at 7:54 am
Absolutely not – no. Most of you guys are thinking way too sma. Think of something that can be used by just about every videographer, Indie filmmaker, and Hollywood…
LOL, is the new RAW firmware? Like 1st april?
LOL, is the new firmware that turns every single DSLRยดs into a RAW machine?? april 1st?
@Vincent Laforet,
Does this product have something to do with latency-free wireless transmission of HD video?
That would make my job much, much easier. ๐
Affordable Handheld wireless monitor / recorder with focus control?
I’ll state the obvious, only because I wish it to be true:
New MacPro
easy to use, perfectly balanced “every time all the time” steadicam like device. that’s the only thing I can think that fits just about every videographer, Indie filmmaker, and Hollywood. No idea though. You’ve got my attention now.
It is going to be lens 14-200 1.2 and VC/IS ๐
A new steadicam?
I’ll bite, some sort of crazy lens that bends physics like a twist tie.
One stop shopping. Never need to change a lens again!
This is definitely the real deal.
I think it will be a new codec with more quality and a half of bit rate, or maybe a recorder connected to any camera through HDMI port and will have the possibility of record in the device in RAW 16 bit.
Regards from Venezuela.
I’ll throw in a guess… I see you’re going to be at the Kessler booth on your schedule. If I was Kessler, I’d make an affordable robotic arm type thing, sort of like this but more affordable:
http://www.visualnews.com/2012/06/07/slow-motion-meets-robtic-arm/
I think I figured it out from the hints that you gave. It’s not a camera, as you wrote, but it’s not a postproduction tool either because you wrote that it will “change the way you shoot”. Add the fact that you’ll be present a lot at Canon’s booth, then it’s almost a safe bet to say that the “device” is a professional-level cinema zoom lens.
This would be a “game changer” if its range would all important focal lengths, if it would provide aperture speed and optical quality to rival prime lenses, and if it would be available for a much lower price than current professional cinema zooms. (At this moment, Canon’s Cinema EOS zoom lenses start at $23,000 – which is still a bargain in comparison to the $87,000 for a Fujinon 18-85mm T2.0.) Because cinematographers would just need to buy this lens instead of bothering with buying – and, during the shoot – changing a set of primes. Thus, to quote your article: “once you understand what it does, youโll see it will pay for itself in days relative to what other things it replaces”.
Right? ๐
1920×1080 50p in mark iii ๐
+ MagicLantern ๐
Man, you’ve got my head spinning… lighting, storage, network, NLE, bandwidth, resolution, audio… driving me batty, lol! Vincent, if you say this is the same game-changer as the 5D2, I totally believe you, and MAN do you have me curious! Considering I had to go over to my neighbor’s to retrieve my socks after seeing Reverie 4ยฝ years ago, I can only imagine what’s coming. I’ll be watching!
A new kind of UAV made with cinematic camera movement in mind. Pre programmable flights and controlled with an iPad. Just under 10k. Since its safe to fly indoors it will make steadicams and even cranes/jibs obsolete. Until the battery dies.
Anyway, my bet is it will have something to do with camera movement.
@Vincent Laforet,
Okay, my guess is something like man-portable cineflex…in other words steadicam to the max. Walking shots as smooth as dolly shots.
If not that, some kind of focus pulling AF system using infrared lasers to tag focus points and perfectly pull focus from one to the another or keep focus locked with moving subjects or cameras.
Hmmmm… “Something that can be used by just about every videographer, indie filmmaker, and Hollywood…” I’m going to go with a Lytro-like device (but for video of course) that allows you to adjust/tweak focus in post. That would definitely be a “game changer”.
Lens technology –
Light Technology
New tech Camera Stabilizer
Any of the Above :(#)
A 18-135 F2.8 lens from canon for $5000. Now that would be an insane gamechanger ๐
Affordable gyroscope gizmo?
Some sort of new lens tech?
New Mac Pro finally?
Odemax?
Redray?
Can’t make it this year as my first born is coming into the world that week! ๐
IT’S ME!
Affordable 4K TV?
My guess: Workflow software platform which lets people work together from different locations as if they are in the same room. It also allows people to find talent, and share/sell their work. I’ll be there and look forward to seeing your presentations.
hm.. almost every film maker is interested in affordable easy to use camera stabilizing systems … ?
Maybe some sort of new tripod system that floats (Mag lev style) , or a new kind of lighting system, or new battery tech that lasts 10x more than current models. A new type of steady cam maybe?
It’s either a stabilization system, Lighting, or sound related. Wait… focusing tool would be damn cool too.
Here’s another complete stab in the dark but awesomeness department…
A focus system that uses a camera mounted and calibrated laser that measures distance to objects. Used in conjunction with a touch monitor, all you have to do is touch where in the frame you want to focus and it focuses there. Or you can touch and drag to hold focus on a moving subject.
This would be done live and not in post so there still would be a need for a focus puller. Although it would be a completely revolutionary way of pulling focus.
Technocrane?
@Vincent Laforet, “Think of something that can be used by just about every videographer, Indie filmmaker, and Hollywoodโฆ”
a clone of me? ๐
A diction software that automatically turns your story into a full screenplay and a full storyboard :p ?
Most def a gyro.
Some new kind of easy, compact long lasting very mobile thing that will bring gyro tech to the masses,and not just for shooting from helos or cars, but also for use where we previously would get our stedicam.
Other than that I have my hopes on Litepanels upgrading their 1×1 to use some new generation of CREE leds that makes them twice as bright with half the power consumption. Then we can start lighting sets with them for real.
Awe… tease torture. My guess it solves or automates another “problem” digital film makers with small crews have. So many choices:
– backup and data wrangling
– ingest, conversion, logging and transcription
– focus
– stabilization
– transport
So many opportunities for innovative companies.
My guess, is either something to do with hard drive technology, hence all the G-Tech booth time, or something like a really affordable compact gyro/stabilization device from Kessler.
Damn you Vince now I can’t sleep til I find out!
My guess is a compact robotic stabilization system. A gyro stabilizer with accelerometers. Think a quadrocopter but replace the rotors with gyros and make it hand held and programmable.
Suddenly no need for jibs, geared heads, dolly tracks etc – or you could use this device to augment such techniques.
Suddenly everyone can do David Fincher camera moves.
Could it be some kind of hard drive concept device – something that will enable very smart and easy management and backup capability? Having to deal with 100’s of GBs of data and be able to have instant access to that data can be a logistical nightmare….. close?
My guess is a gyroscope image stabilizer of some sort. There are a few few of these out there but nobody has really perfected this market especially for small hand held. This would allow you on any camera with any lens ( especially primes with no IS ) to get an amazing shot which has illuded us in these days of DSLRs.
Anyway that is my hopes.
Looking forward to NAB and this “special announcement”.
A small helicopter?
I’m willing to bet its this bad boy right here…AM I RIGHT?!? ๐
http://www.petapixel.com/2013/03/04/canon-unveils-a-35mm-full-frame-sensor-for-video-that-can-see-in-the-dark/
it might be Redrock Micro MicroRemote iOS interface that will hook up with the current Tape Finder to allow auto focus features.
My guess is on a mixture of a pocket jib and a slider…
I just hope it’s F$#%&^g affordable! I’m so fed up of products being over priced.
@Brett Harrison, I have been dreaming about this since forever. I would love to see programmable functions so VFX artists could do multiple passes.
H.265?
External recorder similar to Atamos Ninja but at much cheaper price point?
Lytro, but for video? (Can focus at different points in post)
RAW type file?
Proper HDR video, usable in post?
3D scanner?
ViewFactor stuffed a BMCC in a C300 body with an S35 sensor?
Oh yeah not a camera…
An ext RAID recording device with an advanced raw compression scheme similar to h.265 but better?
@Boris Kretonic, It already exists, but as always too pricey.
One two, maybe a few of you are extremely warm… most of way off. How could an external recorder be a game changer??? Unless it transmitted proxy footage live as you shot… ๐
In fact someone may have hit the nail on the head… maybe not. Wait a few days and you’ll all know!
@Sam Windell, Game changer? Not yet, Panasonic has been working on this as well http://www.youtube.com/watch?feature=player_embedded&v=7RS-45FXrUE
I’m hoping it’s a Lytro type device to adjust / choose focus in post. Now that would be a game changer.
Handheld Gyro’s! Must be. Is useful for everybody indepent of budget, is not to cheap, but also not to expensive and changes a way ypu can shoot really…
@Vincent Laforet, Still convinced it’s the 35mm full frame sensor by Canon that can see in the dark. It’s been announced, but no release date yet to my knowledge. It will be a game changer for sure. If not, very excited to see what it is nonetheless.
Sam Windell Reply:
April 1st, 2013 at 10:47 pm
RedGiant’s BulletProof looks promising as well.
@Vincent Laforet, Oh boiy…… ๐ Didn’t James Cameron, Steven Spielberg and Peter Jackson use this device already. The “3D Fusion camera” (not a camera, a portable monitor) shows multiple real time 4K footage with 3D models rendered live.
I hope this isn’t a quad copter because they’ve been out already……for years.
(Btw typo in your blog: “which makes it very interesting to thing”, think*)
@Florian, I hope it’s something similar to this.
Hmm…. I’m guessing revolutionary focus pulling tool… That would be really cool.
I feel like stabilization device would have to be really impressive to influence Hollywood.
Vincent you big tease.
“extremely warm… most of way off” and “hit the nail on the head”. Is that a hint? Sounds like indirect references to focus. I’m refining my guess to either:
1. Adjust focus in post
or
2. New generation of gyro stabilizer
…with #1 being more likely as someone else who’s aware of this new tech mentioned elsewhere that “this new “thing” will make some people very happy and others unhappy”. Adjusting focus in post would make 1st ACs unhappy.
I too think (wish, hope,…) itยดs some sort of stabilizing tool. I hope what sony started in its consumer products will be available for pros including roll stabilisation and in an “external” device so that you can use it with every camera. The steadicam has become pretty old.
Finally wireless remote focus in the L series lenses.
I think that Vincent is talking about the “D16 Glider Accessory” by digital bolex, which was announced yesterday. but it’s not really a game changer for me, there already exists accessories like this, “the cinecopter drone” and several more..
The real game changer is the bmcc for me, it will allow people like me (who come from nowhere) to make film, “real film” i mean (and not H.264 Videos)..
So my question to Vince is, do you think that there will be an announcement from Blackmagic (an s35 Bmcc), or maybe a “baby red” (3k for 3k$), that’s personally what i am waiting for..
Have a nice day all friends, and Vince, sorry if you didn’t wanted someone to disclose the information, you can delete my message if you want, i would understand
@Sam Windell, how often he has to repeat itยดs not a camera.. so it is no sensor either.
@Vincent Laforet, i know .. im a betatester.
itยดs a three axis gyro stabilization system.
price will be over 8000 euro.
This is fun for about 5 minutes and then it’s the setup for a disappointment gag. It will be 20 times more expensive than I can afford – although one can always rent – and it will change my world in about 3-4 years ๐ It’s probably the see-in-the-dark sensor suggested by samwindell.com that lets you light with minimal or zero energy. Why? It’s Canon. It’s not a camera. It would be revolutionary – and even help little run-and-gun doc shooters (eventually). And it’s like upgrading an entire line of lenses, which I understand Canon sells. They are all decimal f lenses now! And you can now easily dial in as much or as little DoF as you like. And you can over-crank the interior scenes of your Barry Lyndon remake. And light a stormy, romantic exterior love scene with fireflies (although the production will be plagued by a succession of firefly wranglers and ultimately the scenes will be shot with single LED lights wrapped in cotton wool. The insects will be added in post)
could it be?
http://us2.campaign-archive1.com/?u=ed7dcc959eb7f6ed683049793&id=3aa4017a63&e=bad6bba1ff
me think so.
@vincentlaforet …a stabilization device that costs more than a MKII… What amateur would buy that?
@Vincent Laforet, I think it’s an auto ingest and file management system that scales from a stills photographer to a feature.
You guys dont listen to what Vincent says :
“More expensive than the 5D Mark II”
“Not a camera”
So i think its a new kind of device that can acquire and process video in real time. An external recorder with a big screen or something that streams a RAW video signal to a PC with a software that can treat and correct video in real time (add LUT, do some color correction, noise and sharpness treatment)
I personally hope it’s not something that will put my last 100k of purchases on the shelf.
Filmmaking is a hobby for me (a very expensive hobby) and I can’t help myself when it comes to buying cool new toys.
No more after this NAB please.
Remote focus pulling on a touchscreen… that would be awesome. You could have an operator run a camera through all kinds of complex movements (on a gib, on a drone, on a car mount, on a steadicam) while the focus puller did some super-complex racks from the sidelines. Sadly, this is more sci-fi than reality, I think. Very curious to see what is announced.
@Brett Harrison, good from low to hollywood)
Can’t wait for your news!)
My take:
1. Some really cool stabilization stuff
2. New amazing software, ultraNoizzeRemover1.0 or MakeMyMovieFromIphoneLookslikeRedEpic0.8
3. Really easy to control (semi-auto) helicopter for 4000$ that can hold 3d epic rig :))
4. Your own professional DP in a pocket size box)
Really really interesting..
@Vincent Laforet,
actors without egos?
just kidding… ๐
If it’s a stabilization system, blink twice.
I’m gonna guess its some type of external recorder to bypass the issues we have squishing our beautiful picture into an 8 bit h264 based coded (AVCHD). That or something to really help out with the remote control ability but bringing the price range down.
It’s a $2* smartphone app that automatically generates brilliant scripts?
๐
*”$2″?!? Too expensive!!!
๐
@Vincent Laforet if it bypassed the limitations of the camera codec, just like a lot of people record externally on higher end cameras. That doesn’t go with the hint that it can help “every videographer, Indie filmmaker, and Hollywood”. My cameras getting nervous……
@Vincent Laforet, Bollex!!!!!!!
@Vincent Laforet, Hard to imagine it’s not a camera and everyone is wanting it…I would say a recorder but it’s not something that everyone would need? The new plasma lighting from HIVE?
My idea, is this new tech being a plugin/extension which could be added to all cameras, enchanting shooting capabilities, censor size and fps?
I bet Florian is absolutely right (see #140268). But I don’t think it’s going to be a zoom lens. I guess it will be a 24/35/50/85mm switchable multi-prime in one lens with IS and f/1.4.
A lot of really interesting guesses – but me as an indy filmmaker would consider one thing to be the most valuable and most needed thing in production (next to the camera that captures it of course) : LIGHT. Mobile, adjustable, powerfull, affordable light. So my guess would be, that Nicklas above most probably has hit the nail on the head. (at least I wish for it…)
Hmm, Let’s see…Vincent is going to be at the G-Tech Press Conference first thing at NAB…then he’s off to the G-Tech Party later that day…then one goes to the G-Tech website and discovers a “Capture” filter for their product listings that doesn’t filter one to any products…then one remembers that Sunday was Easter and thinks about Easter Eggs…then one realizes that a company like G-Tech wouldn’t have paid for a seemingly unnecessary filter on their website for no good reason (looks unprofessional, y’know)…so maybe there is something to this Easter Egg thing after all, and maybe, just maybe, G-Tech has dropped a hint at a new product or product line that addresses “capture”…like I said, hmm…
Vincent Laforet Reply:
April 2nd, 2013 at 5:21 pm
G-tech is announcing something else as well.
Fish Finder / Push Focus System
We stuck a fish finder on the top of the camera and aimed it where the camera was shooting. We then calibrated the data captured from the fish finder with the picture that the camera captured and fed it to a touchscreen device. When the user pushes on the screen, the device communicates to the motor to focus to that area. How hard the user presses down determines how fast the focus shifts from one point to another. For moving shots, touch on your subject and hold throughout the shot to track and focus will adjust accordingly. Device will also indicate and alert operators when fish are present.
..Whatever it is doubtful it will change the way movies are shot…
..over 100 years of cinema and stuff is still shot/lit with the same basic tools/tech………..electronic follow focus control is a guess….
Vincent Laforet Reply:
April 2nd, 2013 at 5:21 pm
You are very wrong in my opinion – and I don’t mean that in a confrontational way. I think this will DEFINITELY change the way movies are shot – or can be and lead to shots you’ve never seen before because they were simply impossible to pull off.
DRONES!!!!!!!
Over $3000, everyone can use it, transforms the shots you can get… I’m goning to go with a Kessler made baby Technocrane that ties into their software for doing complex moves easily.
Does it has something to do with high data transfer rates? Super fast RAM (2TB and beyond) which you can stick to your motherboard over pcie?
daniel
It has got to be a new moco device. The Cinedrive is a pimp daddy, but not precisely for live action. What’s that wacky arm Hurlbut is using for Need for Speed?
are we talking about true image uprezzing?
like 4K and beyond?
A New Helicopter?
A lens. Couldn’t be clearer….
@Sam Windell, nope
@NMendes, Nope
Hmmmm lol There’s some really great ideas in this thread. Faster computers would be great (Prof. said we’re so behind where we should be in terms of computer power).
I heard that NASA has incredible sensors that they use to capture images in space and then process them. It would be great to have better low light sensors or lights that are not obtrusive. How about LED IR lights or something similar that is invisible to the eye but when viewed on a camcorder or DSLR for filmmaking we can see the illuminated results?
When will this be officially announced?
@Vincent Laforet, Will it change how we move the camera?
I’ve got to say, you’re really talking whatever it is up! If you were the type of person who was constantly hyping up this or that, I wouldn’t think twice, but I’ve followed your blog for some time and that’s not your style. You’ve got credit and you’re putting a fair share of it into this reveal. You have definitely gained my attention.
Now talk whoever is behind it to reveal a day or two early because it’s a bit terrible what you’re putting us through. ๐
Vincent Laforet Reply:
April 3rd, 2013 at 7:46 pm
I appreciate that and respect this blog’s readers. I don’t make these comments lightly. I have been dreaming of this type of device ever since I first picked up a camera that produced moving images…
SEE LATEST POST FOR MORE INFO ON RELEASE…
That will be lens with Chuck Norris inside…
After punch all blur
Push Focus cont’d
With special “electronic/digital” contact lenses on the talent and similar transparent sensors used to mark focus points that are used to measure the distance from lens to eyes, you’ll always hit your mark.
@Vincent Laforet, Dang! Was worth a shot! Even more excited to hear what it is Vincent.
I imagine it’s got to be some type of multiple focusing lens/adapter that will allow you to front and back focus and then you can choose in post which shot to take
@Ryan, I think this is the best guess so far. I was thinking the same thing.
Putting all of these clues together I feel confident in concluding that Vincent has been working with a handheld stabilizer that won’t require extensive training and practice to use properly. I will assume that it is by Kessler.
Okay … this discussion will be the opening sequence for the new Pixar movie:
“Vincent saw a WHAT..?!”
Waiting with baited breath for the first plot point…. ๐
It has to be some kind of revolutionary stabilization system. Stabilization is one of the most fundamental and difficult thing to achieve. Vincent when you said “can be and lead to shots youโve never seen before because they were simply impossible to pull off” pretty much gives it away.
I really hope this is what it is.
Did you used it in the Bali spot?
Vincent Laforet Reply:
April 3rd, 2013 at 7:45 pm
Not it wasn’t available yet.
A lens and or capture device that lets you pick focus after capture?
John Reply:
April 3rd, 2013 at 12:43 am
Sorry looks like some people already asked the same thing. Should of read further down first. ๐
Im thinking its some kind of accessory related to the cinedrive system. A stab in the dark would be something related to the automated focus pulling system. Something perhaps where you can pair the focus pulling to a subject or point in the shot. Somehow there is some distance calculation done whereby the lens finds focus. Eg you can create some elaborate shots or run and gun while keeping focus on a point.
Smell-O-Vision external recorder.
@Vincent Laforet, Vincent, do you mean shots that even Hollywood hasn’t pulled off, or shots that a low budget filmmaker has never been able to pull off? Whatever this gear is, I am EXCITED.
Iโve seen what Vince is touting and itโs no bullshit, get ready to grab your jaw off the floor. This is gonna be a solid NAB all around.
Is this new thing will be compatible with existing Canon camรฉra (c100/c300/5d/1d) ?
The device in question is a zero gravity levitation camera stabilizer.
Camera moves are 3D axis capable via magnetic tractor beams controlled from a 3D joystick. The 3D axis technology was aquired & repurpose from Ampex and their ADO technologies.
nasty stabilizer?
http://www.facebook.com/photo.php?fbid=504876269547779&set=a.100149070020503.93.100000762301944&type=1&theater¬if_t=photo_reply
Vincent Laforet Reply:
April 3rd, 2013 at 7:44 pm
Nope.
A direct drive hand held stabilized gimbal…
I didn’t read all the comments BUT…
I think it’s a GYRO STABILIZER. Light weight and mountable to any cam.
Just a guess..
It’s an affordable/portable Technocrane!!!!!
Its a program that can u-pres video to 4k and simulate 12bit 444 in post.
Or a recorder that adapts to camera firmware and accelerates it
Was just thinking about this some more and it occurred to me that the ‘fight’ you have in all axes equally on a 3 axis gyro, what if you used accelerometers to allow that to yield to force applied to the rig over time/space, so that twisting it would at first be resistant, but as you applied force would ‘ramp down’ in that direction. It would be exactly like overcoming inertia on a steadicam rig. This way the force of the gyros becomes plastic and ‘sculpt-able’ via biofeedback. You wouldn’t even need levers or anything – the whole rig becomes a joystick robotic controller, which would also remove the stiff aesthetic of gyros because it’s fully interfaced with the human movement.
If this thing isn’t this then someone out there has this on the way for sure.
@Vincent Laforet, “…lead to shots youโve never seen before because they were simply impossible to pull off.”
The only shot that I’ve always dreamed of pulling off that would fall under that realm is I’ve always wanted to shoot a mountian biker going down an ENTIRE trail, with one, continuous, uninterrupted low-level aerial shot. Imagine, coming in from up high, then swinging in low, in front of the rider, coming back to the other side, inches off the ground, then coming back up and far for a spetcalur view. Currently, the best you can do is via mutliple cable-cam setups, traditional aerial shots (drones/helicopters), but you still end up having to cut to the next shot.
Take this to the next level, you could program the flight path vis gps of other coordinate systems, similar to how CNC machine tool paths are programmed, and you could setup a repeatable shot that would require less of a “crew” to accomplish. The technology HAS to be there already if they’re able to pull off something like this: http://www.youtube.com/watch?v=LcPWEMwGJVQ
Clearly this will be by Red and what they spoke about a year ago to make a device that allows you to refocus in post. Not only that, but selectively composite via image depth, selectively colour grade via image depth and/or shoot actual 3D in one camera alone.
I remember Jim mentioning that the technology is quite easy itself. I have a feeling that this will be an add-on to the 6K dragon upgrade.
This will not only make dragon the strongest camera on the marketplace, but with the ability to refocus in post, perhaps the most cutting edge device for anything from documentary to compositing. Imagine the ability to select one small depth portion of the image and key it out via depth metadata?
That my friends, is revolutionary.
I think I found it, I wish I could win this!
Konova “Motorized Slider (slash) Motorized Pan Tilt Head (slash) Crane / Jib”
http://cheesycam.com/konova-nab-new-product-teaser/
@IK,
sure, Red is famous for delivering everything they blattered about
Mr. Laforet,
This incredible announcement can be none other than a compactible monkey that fits in your camera bag … Because we all know, we need an extra chimp to check out our shots on the lcd viewfinder (yes, I’m guilty of this also).
Looking forward to seeing your projects (commercials & feature) in 2013, always inspiring and lets keep “focused” … thats my guess. Peace
Tessive Time Filter
This is the one thing that’s in the price range you described that I cannot wait to get my hands on!!
Is it just a camera hovercraft device made for small cameras?
It can’t be anything in regards to image quality.
A-ha! A vibration reduction lens mount device for any camera/lens
eye lenses with eye traking tech conected wireless to a follow focus, so what ever you are looking at will be in focus; eye-focus-tracking device
I think it’s an all in one, tripod, shoulder mount, stabllizer, jib, slider. Or some type of auto focusing system
Super durable battery, source of power. ๐
YEP guessed it. It was just a rig/ stabilizer. My post was deleted.
Thought it was gonna be huge! This thing is expensive.
New speedbooster METABONES!?