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One Degree from Vincent Laforet on Vimeo.
The angle of video of a Canon 600mm f4 EF Lens with a 2X converter on a RED Epic, is roughly one degree. (1 Degree, 45 arcminutes horizontally to be exact.)
The focal length in terms of 35mm is more than 3400mm – not too shabby when you consider this was shot at 4K, 120fps in full RAW on the Epic.
So who cares? Is this just a case of "just because you can…"
Well perhaps to some. I started out as a sports photographers 20 years ago because I was able to manually focus a 400mm 2.8 wide open… long lenses are dear to me. And I love seeing the world through a 500mm + whether it’s at the Olympics, from a helicopter – or in this case for 45 minutes after sun set behind the Sierra mountains at Mono lake.
Why? Because at 3400 millimeters – the bubbles on the surface of the water 20 yards in front of you can look like UFOs for a split second… and I still find that magical 20 years into this career.
This was shot with the yet-to-be-released RED Canon mount – which has full support of Autofocus, Image Stabilization, digital aperture control, touch to focus, touch to rack focus, and distance readout. These are pretty amazing times to be behind the lens.
While long lenses are nothing new in the motion picture world – this type of resolution combined with Canon’s Image Stabilization technology is utterly impressive and should be a huge hit with wildlife and sports photographers around the world.
This is once again an example of technology allowing us to pull things off we once thought impossible (or could be done with a lot of additional technology)
This was shot in Mono Lake on afternoon over 45 minutes after the sun had set behind the Sierra Mountain range until everything went dark. ISO ranges from 800 ASA to 2000 ASA. This was shot on an
O’Connor 1030HD head on sticks with one operator (me) doing the focus pulling.
As you’ll see from the image above – all you need to convert the RED Epic from the PL Mount to the Canon EF-Mount is a TORX screwdriver. There are no wires or connections to deal with, it’s an incredibly elegant design and this can be done in the field. Care should be taken to avoid dust/dirt of course. The conversion can be done in 30-90 seconds depending on how careful you want to be, given that the IR filter is of course exposed as is the case when a lens or front cap is not present. Also of note: if you look carefully at the detail shot above, you’ll notice that RED has a rotating ring, similar to a PL mount, that double-locks the Canon lens onto the Epic. (You have both the regular Canon click lock + the rotating ring now to secure your lens.) Gone is ANY flex inherent with the Canon mount that many of us are used to when you work with follow focusing units and/or motors.
Amazin work my good Sir. You are an inspiration.
What factors resulted in an equivalent focal length of 3400mm?
Vincent Laforet Reply:
August 5th, 2011 at 12:32 pm
The smaller size of the sensor relative to a full 24mm X 36mm still sensor – and resolution chosen.
This reminds me of the first Batman movie, when Jack Nicholson’s Joker says, “Where does he get those crazy toys?” Really great stuff Vince, it looks super smooth.
Vincent Laforet Reply:
August 5th, 2011 at 12:32 pm
Very nicely put Joe!!! Appreciate it!
Edwin Herdman Reply:
August 8th, 2011 at 12:23 pm
I have to hand it to the Joker; he was a “candid shooter” and wouldn’t buy this because of the bulk (won’t fit in the waistband of your pants). This does seem like a good option for prime-time sports and news event coverage by big news agencies, though it seems very cumbersome for many events where you can’t set up a photographer’s pit.
Thanks for sharing this with us, Vincent!
I’m still surprised at how compact everything is. I know that in the particular case of long lenses it isn’t so much. But I guess that having such a huge lens is taxing enough, additionally having a huge body would be a problem. Have you at least dreamed of renting a 1200mm?
Vincent Laforet Reply:
August 5th, 2011 at 2:06 pm
My guess is that the new 600mm F4 and the new 2X converter are going to be optically superior to a 15+ year optical design on the 1200mm – that’s just a guess and not fact… plus the 1200mm is a BEAST!
Looks great vince! Love the tone and color!
Amazing stuff Vincent! Any Warp Stabilizer applied to the shots?
Vincent Laforet Reply:
August 6th, 2011 at 11:42 am
Nope – that’s the O’Connor 1030HD head combined w/ Canon’s IS. Shooting at a faster frame rate is also always a bit more forgiving as well.
@Vincent Laforet,
I still get 1700mm, half the value you say… Didn’t the EPIC have 1.4x crop roughly? What am I doing wrong? 🙂
Vincent Laforet Reply:
August 6th, 2011 at 11:41 am
Confirmed it with someone else – we’re getting 3800mm at 4K actually. Compare the size of the (smaller) Epic to a full 35mm still sensor – and then realize that 4K uses a smaller section of the chip. That should get you to that number. If we’re wrong please do let us know – but several people have checked.
Wow that’s awesome. I really love the soundtrack on this as well, it really sets everything off.
@Vincent Laforet,
Oh, no doubts about your calculations, but I doubt about mine! ;D
I just wanted to get the picture (erhm…) and I can get that value only if I consider a 1080 crop on the 4k sensor.
Just curious, that’s all!
Awesome stuff anyway, congrats!!! 🙂
@Vincent Laforet, Ok, lovely stuff!
any signs for a similar Nikon mount? Or does one exist already?
Vincent Laforet Reply:
August 8th, 2011 at 2:46 pm
They will be making a Nikon mount as well. It’s just a little more mechanical/complex to build than the Canon mount.
9shooter Beats (Out-surfs) Red Epic at the 2011 US Open in Surfing in Huntington Beach
http://blog.9shooter.com/2011/08/9shooter-beats-out-surfs-red-epic-at.html
Firstoff, I bet that Canon comes out with a 2K/3K/4K DSLR camera in a year or so, and a 5k in a couple years. 🙂
Kelly Slater completely dominated the final heat in capturing the US Open of Surfing Title this past weekend, defeating Australian Yadin Nicol. Sfgate.com reported on Slater’s epic shutout:
“I guess Yadin (Nicol) wanted me to win because he didn’t catch any waves,” said Slater, referring to Nicol’s meager point total of 2.57 from catching just one wave in the final. “I was just really frustrated for him because he was sitting out the back waiting for the big sets and the big sets were close outs. The small ones he was just two far outside and I got them. I think what happened is I got the 8.50 to start and he was just going to be patient. If he got a good one he would have thrown a big rotator, but it just never came.”
Well, that’s the exact same way we felt about the Red Epic–“I guess the Red Epic wanted the 9shooter to win because the Red Epic didn’t take any pictures nor video of the event–the Red Epic didn’t catch any waves.”
I know I will probably be viewed as an anal engineer and an ass, but your claim of a FOV of 1 degree 45 minutes is very much closer to 2 degrees than it is one degree.
Or, stated another way, 1 degree 45 minutes is 1.75 degrees.
Oh, yes, and either way, spectacular work, I wish I could do that!
Vincent Laforet Reply:
August 12th, 2011 at 2:33 pm
Well that’s for vertical coverage – horizontal coverage is wider. Then you have the 5K to 4K difference which narrows it even more. After conferring w/ 3 people I decided on the 1 degree – mostly because the title sounded nice to be honest! There’s nothing wrong with you being correct and/or accurate – I always appreciate both!
Beautiful setup. I’m very jealous 🙂
What is the name of the song that is playing throughout?
Vincent Laforet Reply:
August 21st, 2011 at 11:13 pm
In credits
Hey Vincent,
nice work!
Did you already try the Canon MP-E 65mm Lens on the Epic?
Want to see that. 😉
Vincent,
I’m brand spanking new to making film – brand spanking new. But after watching this video I put together a video of my daughter dissevering the beach and sea life on a November Sunday. I used One Degree as my template and it was a huge hit with my close friends and family. Not because it was my kid but because it told a story.
Technical stuff aside, just know this video helped spark my creative side and in doing so enriched a special memory with my daughter and me – and those close to us. Thanks!
Vincent Laforet Reply:
December 6th, 2011 at 6:20 pm
That’s awesome to hear! Thanks! (Although the “One Degree” only had about one degree of story – I do appreciate that it inspired you!)
Do you think it could be possible to just mount the 600mm Lens to the tripod and then let the camera hang off the back without any rail supports? I’m assuming that you can’t recommend doing this but I am shooting on a Scarlet. I’m on a last minute project in western australia and need the long lens capability and I won’t have access to order rails in time. Please let me know your thoughts.
Thanks
Blake
Vincent Laforet Reply:
February 28th, 2012 at 3:20 pm
You should be ok w/ a light scarlet yes… don’t hold me to it! But we hang light cameras to long lenses for stills all the time… I do make a point of reinforcing them for cine use however…
Very good film with à optical quality and sbject perfect.
Thank you.