Mountain Dew Spot in Bali
For those of you who were wondering exactly what I was shooting Bali – here it is: A Mountain Dew Commercial with Indian Mega Star Hrithik Roshan and a fantastic team of people led by Director Prakash Varma of Nirvana Films that has been ranked as the Number One production house in India. I have to say that between the stunning location, the plethora of gear, and the vibe of the crew, this was one of the most enjoyable shooting experiences I’ve had in awhile. But that’s not to say it was easy by any stretch of the imagination to get people from 7 countries and very specific gear to one remote location at once … and pray for good weather during the "rainy season!" which led to one of the DP’s most feared "X" factors: those unpredictable clouds that form suddenly over islands even when the horizon is blue… and completely block the sun.
As you can imagine we had to rely heavily on natural light – there simply was no room on the edge of that cliff to put any cinema lights..
Mountain Dew Bali – Nirvana from Vincent Laforet on Vimeo.
3 Red Epic camera shot at 5K between 24-96 fps. And at 2K up to nearly 300 fps.
1 Phantom Camera at 1,000 frames per second (if I remember correctly)
Several HDSLRs and GoPRoHero 3 camera.
1 Angenieux 24~290mm T2.6 Optimo my weapon of choice in terms of lensing for this spot.
1 Set of Ultra Primes
2 Trusty O’Connor heads (paid off in spades on the boat to have such a high quality fluid head.)
1 Gates underwater housing for the Epic (Excellent)
1 Mamiya Leaf Credo 80 Megapixel back to shoot background and detail plates for some VFX shots.
Flying an Epic with Utltra Primes over the open water with some nice gusts here and there!
Operating an Optimo at 290mm on a boat with a Phantom Flex at 1000 fps with waves pounding us, and trying to time our star’s entry and having him hit a specific point in 1-2 takes while also nailing focus at T2.6… kinda nuts, but we pulled it off. Thanks to an amazing focus puller
Having the makeup crew run out to do touch ups at the edge of a perilous hill BEFORE the RC helicopter had landed (and was on it’s way straight towards them…)
Setting up scaffolding atop a hill for some wire and green screen work, building scaffolding for lights… only to have the clouds pull in last minute.. and clear up just in time for the light to have flipped completely on the wrong side… we found a fix.
The plan was to shoot with our star from 6 meters over the water with the Phantom and Epic (underwater.) Only a highly trained Olympic-type diver can jump from the 20 meter plus dive – a less skilled diver could come away with the risk of serious internal injuries if they land incorrectly.. Black and blue marks are common on even skilled divers due to the incredible impact (remember water is 800 times more dense than air…learned that in Scuba diving school π Therefore we had our stunt team do the actual jumps, we had our star dive from 6+ meters. And then we also harnessed our star from a stunt cable crane to green screen that one shot of his face with the background that we shot plates of. Not your "walk in the ballpark" shoot to say the least.
Operating a Phantom with one hand, and an Epic with other simultaneously! (I was the DP and only camera operator…) was thrilling and frightening at the same time. But at least now I can say I’ve done it.
and last but FAR from least (I just know people on this blog like to read about gear first…)
One extremely talented remote helicopter crew – pilot Guy Alexander and opertor Justin McMillanfrom from Australia.
Fearless stunt man Nicholas Daines who really DID jump from the top of that cliff (60+ feet!) more than a dozen times and is a Brit stranded in LA like myself (minus the Brit part..) Tip picked up from him: wear Speedos when jumping from great heights into water.. not the looser surfing bathing suits… can lead to bleading at that height in the worst area for men…
Underwater Housing from David Cheung from ScubaCam Singapore.
Thanks to Sunitha, Vivek, Rosman, Sunu, Ray the amazing camera and electric crew, David from ScubaCam Singapore, Murfi at BaliAqua. Thanks to my good friend a DP Mark Lindsay for helping me out with all of the lighting / equipment challenges we faces with the limited availability in Bali given that we had to have flicker-free lights for the High Speed photography with the Phantom.
Below is a quick promo video that has several behind the scenes clips.
The most important thing I learned on this job: We take so much for granted in big film places like NYC or LA in terms of the access to gear that we have… getting 18K HMIs (that were on electronic Ballasts and flciker free for the high speed Phanatom Camera – so we ended up going Tungsten) etc. proved impossible on this job, and the producers pulled off an incredible feat of getting all of this specialized gear to a remote location from literally around the world. The most amazing part though was the crew: used to working in this difficult conditions, without the "top gear" out there at their disposal but always finding a way to make it happen – and beautifully so. It was nothing short of inspiring… definitely had a bit of that positive, happy Karma rub off on me!
Rough life in Nirvana, it must such looking down on the congestion of LA after a trip like that. Great spot!
Vincent Laforet Reply:
March 30th, 2013 at 1:25 pm
It was not easy coming back!!!
Wow! Nice work once again!
Way too cool, Vince!
Where’s the footage of you taking the dew dive? I would buy a ticket for that one! You da man! Christmas in Bali!
What a wonderful job, Master!!!
Thanks for sharing that much with us!!!
Where I live here in Brazil there are no film schools or much stuff for studying and learning. People like Joe Simon, Philip Bloom and you are my teachers!
Thanks for everything!
Absolutely incredible Vincent! Kudos to your knowledge and talents good sir, the part where we see him for the first time on the cliff is one epic moment. Looking forward to hearing about the next one!
I was happy it was in the 50’s today in Chicago. What great luck with your weather and awesome footage.
What was that big yellow shiny thing on the sky??
Vincent Laforet Reply:
March 31st, 2013 at 8:04 pm
lol
The South Bay is not a bad placeto come back to…. π
Vincent – I have followed your adventures and blog for a couple of years now and have not commented. This warranted one. This is what gives me the adrenaline to do what you do. Great commercial, and congrats for it’s success.
Vincent Laforet Reply:
April 1st, 2013 at 8:39 pm
Appreciate it!
Et bien Vincent…la mer, le soleil, le boulot tout baigne ! Bel endroit, super clip. Je suppose que tu vas bien et j’espΓ¨re que tu as pu te faire de petites vacances sur place π
Vincent Laforet Reply:
April 1st, 2013 at 8:37 pm
Salut Annie Laurie!!! Bises! v
Hi Vincent,
This is very nice. It was interesting also because I am from India. The star Hrithik Roshan has a huge fan following in India.
The Heliguy seems to have done a great job of flying over water. Thanks for the BTS.
I would like to know why RED Epic as the client is unlikely to need anything beyond HD. Hardly any of our TV channels are HD.
Cheers,
Sabyasachi
it’s not your fault but it always makes me angry seeing that much effort, man power and money being wasted on such a lame ‘idea’.
Vincent,
As usual, technically superb! Too bad Mountain Dew didn’t spend a little more time and money on the concept itself. From an advertising standpoint, it’s too long and there’s no hook.
After watching the video i just laughed out loud.
What a waste of money and resources … such a stupid commercial!
Don’t get me wrong – the technical aspect is superb!
But the content is just plain stupid… as if drinking sugar water with flavor transforms you from “I’m scared” to “I just jump the cliff”.
Nice work Vincent … i know you don’t have anything to do with the content itself π
Hi Vincent..That’s a beautiful shot and nice BTS..I am from India, So I could feel how this Ad would connect with Indian people..
Nice Work as always..
Honestly, the shooting and shot selection are pretty average too. Too much about the gadgets and technical side of things and not enough time designing the story. the director needs to spend less time figuring out “how” and more time deciding “what” to shoot.
Vincent Laforet Reply:
May 17th, 2013 at 10:33 am
I think the director could direct circles around you based on the little work you’ve put up… Criticizing others is all too easy. Backing it up is another thing. Prakash Varma is one of the if not the most successful directors in India… And that’s not exactly a small market…
you mention stuntman Nicholas Daines making this jump but i know it was my son ashley franklin that did the jump for the shoot???????
Vincent Laforet Reply:
June 17th, 2013 at 11:03 pm
There were two stuntmen – Nicholas is the stuntman I got to know and who I believed called in your son. I’m not sure which is which in the final footage.
I like such article on this blog, thank you boss