Lights Out, Camera, Action
UPDATE: CANON HAS REQUESTED THAT THE VIDEO BE TAKEN DOWN FOR NOW. PLEASE SEE THE MOST RECENT POST.
In 2008 we witnessed the birth of HD-DSLR Cameras.
In 2009 you will be introduced to cameras that can see in the dark better than the naked eye.
Just a little over a year ago my jaw dropped when I stumbled upon the 5D MKII and saw 1080p video coming off of a full frame chip for the first time.
Just a little over two weeks ago my jaw dropped even harder when I took a prototype of the Canon 1D MKIV outdoors to test it at night. I was on the road, it was late and I had just rushed back to my hotel to get to the unit. I was expecting a 1D body, with 24p, a 1.3 crop factor sensor, 10 fps for stills, a new AF system – 60 fps at 720p – and of course 1080p video.
Nothing prepared me for what happened next.
I set the ASA to high – and I pointed it towards an area lit by a single flood light. The image was overexposed by 4-5 stops. I then started to play with the settings, pointing my light into an area in complete shadow (my eye saw nothing but black) but on the rear of the LCD I saw sharp, green leaves as crystal clear as if it were shot in daylight.
I think it’s safe to say that every single filmmaker and photographer has always dreamed of cameras that can see what our naked eyes can see. This time these cameras can actually see more. Sure – they may not have the dynamic ranges of our eyes just yet – but they see more than my naked eyes can see in low light.
Period.
And that’s qualifies as a paradigm shift in my book.
The next few years will see photography and filmmaking redefined by technology. While there is no substitute for exquisite lighting – artists will now be able to explore areas once thought impossible to photograph.
Think of all of the images you’ve missed throughout your career. Think of all of the places you didn’t even consider going to film – because they were too dark. Those days are now but a distant memory. Even if you don’t need to go into the shadows – imaging photographing at f 5.6 or at f 8 at some point soon in areas you are struggling to capture at 1/50th, f 2.8 at 1600 ASA currently…
In many ways these past two weeks felt like Reverie all over again. I had not expected to get the 1D MKIV until after the Photo Plus Expo. When I got a voicemail letting me know in a very unceremonious way that two units were waiting for me to try “we need your shipping address” the message said – I was surprised. Canon did not have any plans to have me or anyone shoot anything this year in time for the announcement.
When I saw what this camera did at night, I pushed the all hands on deck button – calling my friends and colleagues to engage in an “interesting project” that I could not elaborate on. They pretty much had to trust me that it might be worth their time and commit to it blind.
Once again – we had very very little time to prepare. Just under 72 hours. And we were ALL busy working on other jobs as this economy seems to be awakening again.
What you will see below – is what we were able to pull together under a pretty ridiculous deadline. Once again there were no film permits (no time… no time to location scout and apply) no fancy anything. But I did have some incredibly talented people out here in LA willing to help on such short notice – we shot over two nights in downtown Los Angeles. Most of the cast and crew had worked a 10-12 hour day shift. We all worked close to 48 hours straight last weekend. Everyone was bitten by the bug if you will – once they saw what this camera could do. I was incredibly fortunate to work with one of the best group of people out there -period.
Here is the main point that I hope you take into account: the short film you are about to watch was shot in pretty much the very worst light that I could possibly find in an evening urban landscape. I did not chose “pretty lighting” in a mall or under neon signs. That would have been cheating in my book.
The short was shot near East 6th and Mateo St. in Los Angeles – in an industrial part of the city. If you live in the area – go check out the area – you won’t believe the video you see below came from the poor lighting in that area. Sodium and mercury vapor lights. That’s it. Really awful lighting.
Not a single external light source was used / added. In other words I did not use a single flashlight, LightPanel, flood light – nothing. For one shot only I pulled out a silver reflector… just to say we did it really. And yes it worked (see the shot of the young girl.)
The ISO stayed locked in the 6400 ASA range – with a very few shots hovering 1 stop above and one or two set to 3200 ASA because we had TOO MUCH depth of field…(on the bridge.) At one point I found myself shooting at 12,800 ASA by mistake – and I didn’t even notice any noise on the rear LCD in the skies… 6400 ASA is the new 1600 ASA – maybe even the new 800 ASA. Stop to ponder that for a second – and what it can mean to the way you approach your craft.
In the upcoming days I will share more details, behind the scenes, post workflow etc. A huge thanks goes out to my co-directors Stu Maschwitz, David Nelson and our incredibly resourceful Uber Producer Michele Abbott – and every single member of the cast and crew. For now – if you even made it this far – take a look into the shadows:
CANON HAS REQUESTED THAT THE VIDEO BE TAKEN DOWN FOR NOW. PLEASE SEE THE MOST RECENT POST.
Nocturne from Vincent Laforet on Vimeo.
P.S. Before the end of the year – I plan to release a series of downloadable videos – that cover numerous production tips/aspects of these HD-DSLR cameras – as well as post workflow. Basically everything I know. If you are interested – pls send an e-mail to production@vincentlaforet.com – with the word “NOTIFY” in the subject only. I will then contact you when those are available. No obligation on your part of course – just send me an e-mail if you’d like to be notified. We are already in pre-production for the series.
P.P.S. – on a technical note: because I know everyone will ask: the footage was graded with Stu’s Magic Bullet Colorista software (PLEASE CHECK OUT STU’S BLOG POSTING ON THIS SHOOT HERE) that he helped design and treated for noise (not a significant amount at all to be honest – at some point I may put up raw clips.) The point here is to show what this footage CAN look like when processed on an average laptop (i.e. nothing fancy!)
The 1080p footage on SmugMug is pretty incredible – but remember that a 365 MB compressed file was initially uploaded and then re-compressed a second time – from a 2.32 GB original uncompressed file. You can expect that the blacks will be a bit clamped, and that there will be a loss in sharpness relative to the original.
AWESOME! aloha from hawaii!
very nice
Nicely done!
Nice vid man. I like this one while I always thought “Reverie” was pretty cheesy.
I’m about to upgrade from a 5D to a 5DII, and though I won’t be enjoying the 1D4 high ISO insanity, I look forward to using the hell out of the video function (I recently shot a “video” with my 5D’s burst mode).
Vincent Laforet Reply:
October 19th, 2009 at 11:57 pm
@Greg, Hey – I thought Reverie was pretty cheesy…. It was a bad cologne commercial – but I love it for what it was. Wouldn’t change a thing about it.
Congrats Vincent on again being canon’s go to guy.
Okay, who wants my 7D? 🙂
Fantastic. Great job, man.
WOW! now you need to take out the 7d or 5d and do a comparison on how low light level were.
Wow, looks great Vincent! Enjoyed the play with time and memory with in the narrative, very cool.
SANTA IS COMING! THANKS VINCENT.
Amazing video. Keep up the awesome work, it was great to see you here in Atlanta
Amazed again!!! Great work Vincent!
Looking forward to seeing you on Thursday with this Camera at Photo Plus Vincent – great stuff!
I love :48-:49.
The shadow of the cross on the building is really cool.
Vincent Laforet Reply:
October 20th, 2009 at 1:09 am
@sean, Glad you saw it!
Crazy stuff! Love your work and look forward to much more!
Hm, where was this done? At 00:42 it says “Nacht” on a street sign, which is German for “night” – as is the title of the video. The streets don’t look very German though.
Vincent Laforet Reply:
October 20th, 2009 at 12:00 am
@Schorschi, Stu is a visual effect artist… he couldn’t resist that one… he did it in AE
Schorschi Reply:
October 20th, 2009 at 12:33 am
@Vincent Laforet, aha! That’s pretty slick. Course, not many people will get it.
Vincent Laforet Reply:
October 20th, 2009 at 1:10 am
@Schorschi, That’s what makes stu a rockstar. Details.
Marcel HD DeCruy.. Reply:
January 5th, 2010 at 3:31 pm
@Schorschi, I was one who did get that! I noticed that quick street sign shot the first time I watched the video and asked myself “Wow, is there really a street in downtown L.A. called “Nacht”? That is so cool!” I have been to Germany many times and knew its meaning and wondered if that street name was the inspiration for the title of the film… along with the fact that it was shot in almost total darkness it sounds like! Ok, well now we know how that was “shot”. Great job Vincent! I enjoyed this piece more and more with each time I watched it. Glad to know more about you and your work through all the various things you have put out with these new cameras. They will change all kinds of peoples work! Next time you need some help in L.A. for a shoot like this, please contact me!
Awesome….. Vincent, you are the man. The camera is a part of it, but you need to know how to use it. Buying a 1D IV doesn’t make you a photographer, it only makes you a Canon Owner. BTW, camera performance was spectacular, I think I just heard a jaw drop at Nikon…. No on closer examination, it was one of their sales reps lying on the floor, out cold….
WOW i cant believe thats 6400 iso!!! Are you kidding me!
“Think of all of the places you didn’t even consider going to film – because they were too dark” – ha ha ha, that’s hilarious. I’ll tell you how many there have been in all my days of professional work: zero.
moire, aliasing… all just as bad as the 7d. this is not an acceptable pro HD video camera. It’s a great stills camera for PJ & sports, but that’s it.
Vincent Laforet Reply:
October 20th, 2009 at 1:08 am
@brian, Really Zero? Wow. I’ve been in the image making business for 2 decades – and I can tell you for a fact that I’ve missed hundreds of amazing images b/c the equipment I was using was unable to record images in low light.
Eric Gersh Reply:
November 13th, 2009 at 12:22 pm
@brian,
“Unacceptable?” Brian, what’s up with that. These are fantastic new tools and, used appropriately, deliver fantastic images unavailable at many multiples of the price. This opens up a world of possibilities to many new filmmakers. Is it a replacement for a traditional high-end video camera? Um, nope. Can it augment your tool kits and give you cinematic images when used correctly, damn straight.
And Vincent’s right. . . either you haven’t challenged yourself or you’ve had to encounter images you couldn’t capture as you’d hoped.
I am still getting chills from how amazing it was. I still am in love with both of my 5D MK II and now I have to buy yet another camera and I am excited! Amazing the low light. What was your average f stop?
Fantastic film! I can’t wait to see you when you come to Muncie, Indiana in a few weeks. I will be there, front row center!
Kyle Reply:
October 20th, 2009 at 1:17 pm
Vincent, why/when are you going to be in Muncie? Gah! I graduated a year too early 🙁
You maiking Canon 5D MarkII loking good.. You now howe to do it!!! It was great to work with you here in Atlanta !!
Thank you!!!
The Icelander
I am stunned and excited. When is it out?
Looks Nice!
The real question is:
h.264 or some new wavelet Raw codec?
John.B Reply:
October 20th, 2009 at 1:06 am
@Dan Kanes: h.264 (mov)
Unbelievable. Wow.
I’ve never seen a movie with such accurately done shadows of light-posts. I could feel the same terror as I’ve felt in the sodium vapor lights, murder in the air. VL is right, it’s a whole new ball game now. Let’s see what the other guys (Sony, Nikon) throw next.
I actually like the “Reverie” better (even if some say its chessy). maybe it’s because there is more light and great background sound/music. But i guess in this one is meant to show the sensor capabilities in dark places! impressive really. Great job, and always love your work. Making me very inspired.
Hi Vincent,
Amazing work! Curious, any word on the much rumored raw video recorder or other video related accessories? Thanks for putting this together.
Superb,really cool video. I was looking forward for new material, congrats!
Well done, this film, nicely shows the capabilities of this new cam. Now, I just wish it would be full-frame, but that’s my standpoint. And I guess we will see the full-frame capability within a year or so.
vincent! that was incredible. congrats for getting to be the first to play with this lil toy! please say hi to amber for me.
Awesome video Vince. One question though…how the hell did you manage to borrow Johnny Drama’s car? LOL!
Vincent Laforet Reply:
October 20th, 2009 at 1:33 am
@Kit, Ha! Nice – you’re not the only one who noticed… amazing car btw! (And yes – it’s the same car.)
klbrowne Reply:
October 22nd, 2009 at 1:16 pm
@Vincent Laforet, I KNEW IT! awesome! can’t wait to be able to see it again.
Wow! An awesome video with an awesome camera.
jual sepatu Reply:
May 28th, 2014 at 11:07 pm
@Håkan Dahlström, yes awesome 😀
Once again simply amazing!
Looks great, can’t wait to see more from this camera!
Holy Balls! Great cinematography but really, the low light capabilities of the camera are amazing!
Great film!
I kept trying to pause playback to judge the skew with the poles passing by. I didn’t see much skew. Was this a post fix or is the Mark IV compensate better with the rolling shutter compared to the 5DM2 and 7D? I also would like to know about the H.264 or Raw codec.
Vincent Laforet Reply:
October 20th, 2009 at 1:35 am
@David Chapman, Not a post fix – the “jello” is likely the best I’ve seen on any DSLR to date. Extremely manageable.
Vincent Laforet Reply:
October 20th, 2009 at 1:36 am
@David Chapman, Skew is SIGNIFICANTLY reduced – much better than anything I’ve seen from any HD-DSLR to date.
Incredible stuff. Lovely camera work, too. Thanks for putting this together.
Looks great, but can Stu stop doing chase scenes in every short? Surely there is an unwritten quota that exists in the Universe and he has met it! 😉
cheers,
Chris
That was pretty cool. I am impressed with the new capabilities of the Mark IV. Now I have to decide between the Mark IV or the 5D Mark II thanks Canon for making my decision that much tougher.
baju muslim Reply:
November 20th, 2011 at 3:25 am
it’s so great .. well done man
It’s amazing how much further technology has advanced in the last decade
Incredible.
For all you VIDEO READERS here, check out the ProLost blog that goes more into detail of the video capabilities and talks about similarities/differences from the 5DM2 and 7D.
http://prolost.com/blog/2009/10/19/nocturne-and-the-canon-1d-mark-iv.html
Apparently, the 1DM4 is barely any skew present from the rolling shutter, but he’s not ready to drop his 5DM2 and 7D just yet. I guess I won’t either.
Mebel Reply:
November 5th, 2013 at 9:03 pm
@David Chapman, this is goodd.. i beleave it
All Glass used please? For which shots / time frames…
Wow… that is incredible! This camera is closing the gap between the still camera and the video camera. Thanks for the video!
Nice work sir.
Quick question: Have they made it possible to give a live feed to an external monitor and still have the live view on the LCD? It’s one of my only complaints about the 5DMKII.
That, of course, and sound.
Keep up the good work.
Nice!! I used my 5DM2 for Reuters TV when I went to American Samoa for the Tsunami 2 weeks ago. It is nice to not have to carry a video camera when having to shoot video and stills. Can’t wait to see more from you. You are obviously the point man for the new world. These cameras are definitely making it easier for news and multi-media. FYI, Matre and I are fraternity brothers from UGA.
Aloha, Hugh
Steve Reply:
October 20th, 2009 at 4:28 pm
Stop saving the company money. Do one job exceedingly well…not both sub-par.
Fantastic video footage
Thank you Vincent! Great video!
3 questions:
1) Do you think that overheating will be a problem as it’s on 7d?
2) Is autofocus available while shooting movies?
3) Moire & aliasing issues still present?
Great! Now the scarlet and epic will be delayed again!
How about frame rates, 24p, 30p, 25p there is little or nothing on that subject in text. Some of us use mk2’s on daily basis for video production and a lot of trouble is caused by 30p. What we got here ?
Jual Jaket Wanita Reply:
October 24th, 2013 at 5:40 pm
@Marko Butrakovic, My friend refers me to see your website as a reference for my task. Then I have got an idea, thank you so much then…
this just blew my mind and made it ignite with a buzz of ideas. thank you for getting me out of my creative slump. you work is more than inspiring.
Great stuff Vincent!
That said, am I the only not buying the marketing coolaid and the only one intrigued by the absence of 12K iso shots on the Canon Japan website??? It’s all way to say the camera is capable of shooting clean images; well , where are they??
M
Once again- AWESOME! Great work Vincent! It was great meeting and working with you in Atlanta.
Amazing. With definition like that, I expected an 80lb Ikegami, on a boom truck, with a 120lb lens with an 18 inch objective.
Nice work – and it definatly works better having a bit of a narrative this time (compared to Reverie)
out of interest – do you know if they have put in a manual audio level ability into this camera rather than the auto levels in the 5D and 7D … it’s one of the only thing I think they are lacking now.
(it would be nice to get it in the 5D firmware update thats coming too – can you have a word with them for us)
😉
regards
Paul
Steve Reply:
October 20th, 2009 at 4:32 pm
@Paul Ward,
One of the “only” things? All most photogs know about audio is “in” and “out”. AGC…what? This continued all in one box thinking is BS. Jack of all master of NONE…imo!
Ray Ban Reply:
March 25th, 2011 at 1:23 am
THANKS A
LOT
You picked Luke Vexler? I guess we are in a recession..
Love It!!!!
Congrats.
Your movie making abilities has grown since your exploits with the 5DM2.
Woohoo!!!
Being that ‘Die Ganze Nacht’ was one of the #1 Hits of The Wiesn, along with Lady Ga Ga, and the Black Eyed Peas as heard in in this clip http://vimeo.com/6987280 shot at this year’s Oktoberfest by my Partner, Jack Crombie, the LA street sign reading ‘Nacht’ leaped right out of your clip for me.
Having spent time in LA I just took it for granted that it was a real street sign. The shots of him running along the bridge looks like the same location they used for ‘Repo Man.’ If so, that’s also a nice touch.
One of the things I love about shooting video at night with the 5D is to have passers by stop and see what I’m doing. That’s because I get to ask the rhetorical question..
‘Do you see a Light Truck?
Neither do I.’
Then I get to tell them that 3200 ASA is the new 800 ASA.
How cool is that?
One thing I’d like to know is whether or not they’ve fixed the microphone issue. My Canon SX 1 IS’s have stereo microphones that have been essentially flawless in that they do not pick up any sounds from the body, no matter how relentlessly I use the zoom feature. This has made them a perfect wireless microphone back-up for the 5D and I’d like to hear that Canon has integrated that functionality into the MKIV.
Great work Vincent! Thanks for putting in the time even when you and your team didn’t have the time. BTW, please put up the footage before you applied noise removal software so we can see how it looks.
Great video! But in some scenes the car driver is on the right side in the car and on some other scenes he is on the left side of the car? Is the image was inversed in the post workflow?
Bill Strehl Reply:
October 20th, 2009 at 3:21 pm
@Andre, I noticed that as well
Vincent, exactly what lenses did you use on this shoot?
That is just crazy good, this opens so many doors. Now if I could get that low light in a G12 I’d be set… 🙂 Can’t wait to see more!!! Thanks for sharing this!!!
it appears the Vimeo video is “private”…. not sure why
My sincere Congratulations to all of you for this INCREDIBLE Video with little lighting Bravo to Canon and you Vincent Paul Villeneuve
Wow Vincent, This was amazing! Thank you so much.
so cool, congrats!
incredible editing, image quality, story, music, etc
greetings from paraguay – south america
jose
music producer – photographer …
jesus,
vince this looks incredible..very inspiring, you look right at home
in L.A. now! keep up the great work..
Breathtaking in every way. Wow!
Very nice! Wow.
Extremely good news for DOCUMENTARIES. Imagine traveling without lights except for some reflectors and perhaps a few tiny LED lamps for accenting.
A new world. The San Fernando Valley industry surly will rejoice as well.
Yeah, baby, yeah!
Beautiful work. Did you get a chance to try the HDMI output on the camera? Does it work like the 5D or 7D- low res during recording?
The low light capability looks awesome. I timed my jump to Nikon well 😀
After logging in, Vimeo says I don’t have permission to watch your video.
What a wonderful work ! Could you say us which PRECISE lenses did you employ during this footage ? Thank you for your reply :))
Hey Vincent, love the video but would like to hear some feedback on the still camera performance of the 1DmIV. How’s the focus, high ISO, etc compared to a 1D3 of even a D3?
No offense, but I don’t fully get it. Why is the guy kissing (or about to kiss) a girl he never met – only bumped into?
(P.S. He seriously looks like a friend of mine…)
Great video,
just one question: How did you achieve the slo-mo effect when the guy jumps over the wall? I thought the max frame rate is fixed at 30fps?
Thanks for sharing!
you say its the camera, but man talk about talent, amazing video great look, story and yeah nice camera 😀
Awesome!
Is the girl with the balloon a fellini reference?
I had seen the video first and just read your blog post – ok, now I am MORE impressed! Wow, what a short time to pull together an awesome artistic nicely shot clip. So far it is stills for me, but I am hoping to play more with full HD. Keep shooting! John
Was this shot at 24p?
Great stuff!
Vincent Laforet Reply:
October 20th, 2009 at 4:03 pm
THIS COMMENT THREAD IS NOW CLOSED. Please post on the latest post comments ONLY. I simply do not have time to check multiple comment threads. So if you’d like me to answer a question. PLEASE GO TO THE LATEST POST.
THANK YOU
Does the steering wheel on the car switch sides? Anyone else notice this?
Trevor Meeks Reply:
November 10th, 2009 at 3:55 am
@Ralph, Yep, at 0:59 it switches to the right side, then switches back at 1:05
WTF?!!
Aloha,
wonderful cinema work. Back in 2005 when I was making cinematic adapters for my video cameras to mount FD lenses I’d never had imagined this. It’s a beautiful blending.
Michael
Very impressive camera. Please explain how with no external source you achieved a completely consistant exposure on the boy while tracking with him for an extended time? The source seems to track with him. Is this just an illusion? Seems that the source was moving along with the camera.
Thanks.
S.
Trevor Meeks Reply:
November 10th, 2009 at 3:57 am
@Steve, They used a reflector to fill the subject using available light for either that shot only, or a limited number of shots. He comments on this somewhere…
I have nikon lenses and was waiting after sellin D90 for a DSLR like D700 and hoping niko would add 1080P to the current D700. But nikon, upgraded D3 to d3s (only with 720P video)leaving a number of nikon customers
I find this a little self-conscious in terms of shooting angles and the actual plot.
Simply “AWESOME”
Fantastic… I came too late and now the video is down. Ah well, at least there are high ISO still samples around at DPI http://dpinterface.com/review-galleries/canon-eos-1d-mark-iv-preview-gallery/
I guess that is all I have to see for now =(
Great work, nice that you knew the limits of the 5D MKII and was able to implement a video that covered those bases to dispel any concerns as to the quality and beauty of this camera unit.
Are Canon inc. for real!?
Vincent did a great and free job for them and now those marketing-idiots took video down !
LOL ! There are some real stubborn dinosaurians there in Japans headquartes. I will say:
“idiots You are fired ! “
Okay Vincent, now that you moved to LA and live close to Hollywood, do you consider redirecting your career to the cinema with all these new gadgets around?
Looks like that most new photographic equipment are spinning around the HDV technology.
Why canon is taking down your videos????? I came here from Vimeo to download original version of video, to see if I can buy this camera in future… I was very impressed by the quality of video… I hate politics like that and will never buy Canon cameras again, because they don’t care about their future customers. Now I am heading to Nikon.
I am very-very-very disappointed by Canon!!!…… I will never buy Canon again!!!
I can not find the words to even describe what I just saw. Even with just the twice compressed file, I was amazed at what I saw.
I remember your first film with the 5D MkII and the helicopter images in the NYC evening light. To say that I was amazed then?
It has gone to another level to say the least…
I have owned Canon gear since the original AE-1 back in the early 1980’s to my current 1D MkII…and every pro model in between. I still have an original F-1N 1984 LA Olympics model that I’ll never part with… 🙂
I hope I can get the MkIV some day…if I can find consistant sports work!
Thanks Vincent for sharing with us what you and the others have did…with both cameras and your years of teaching this craft we all love.
I hope to see you again one day at another of your seminars… 🙂
Cheers from San Francisco!
~Larry
Canon SUCKS A$$$!!!! RED ROCKS!!!!
Hahaha ~
continuity problem in the car @1:00:00
But nice film. I like it
: D
Hi Vincent,
I am impressed by the Video. It gives us an idea about the work that can be done with this machine.
Sabyasachi
Ehh….
Actually very nice! Reminds me a lot of Hong Kong movies like “Infernal Affairs”- remade as the “Departed” but better. Beautiful “ugly” lighting perfected. The ability to use TS-E lenses in video is hair raisingly exciting!
very cool, the title alone got me
Wow… i can’t wait to check this camera out. I’ve been waiting patiently to purchase the 5Dmk2, but now I want to figure out if I can afford to wait a little longer and get this.
I’m also anxiously awaiting the video that you had to take down.
Thanks for the feedback on this camera!
well, you can still view the movie on youtube
http://www.youtube.com/watch?v=EhyQYM7_VYs
enjoy
Super AWESOME!!!
I think Canon is better.
I highly enjoyed reading your blogpost, keep on making such interesting articles.
a dream comes true! shooting in the dark always such a hard task.
you are just INSPIRING bro! Your understanding of how technology changes what we can create is amazing. I’m an aspiring artist living my dream in nyc. recently bought a 5d mark ii and it has opened my eyes. i’m now putting visuals to my music. keep it brotha!
-evan
Superb work my friend! I’m trying to use my 5D Mark II w/ 85-1.2 to the best of it’s ability…We’ve done some TV spots, but I have a lot to learn!
Great work, I’m currently using a 5D for my docos and concerts – gorgeous “look”. But sadly, most filmakers don’t “get” how important sound is.
Here in the comparison I’ve just done between the NAGRA 6 and my “Metaxas” location recording equipment – filmed with a Canon 5Dmk2
The venue is the Melbourne Town Hall during the rehearsal of Handel’s “Messiah”. I’m using a pair of Neumann TLM50s [Titanium capsule] in XY configuration behind and above the conductor’s head and a pair of Neumann TLM50s [Nickel capsule] in AB approx 6 metres apart and 2 metres behind the XY pair. Cables are Van Den Hul “MIC HYBRID”. The four channels are connected to the Metaxas Mixer or channels 1-4 of the NAGRA 6 which has been set up by the Nagra dealer. I used ch5&6 to connect the Metaxas mixer to the NAGRA to compare the ADCs.
Video [~50mb]
http://www.reel2reel.tv/ADC/Nagra6_MetaxasGQT.wmv
Audio file [~50mb]
http://www.reel2reel.tv/ADC/Nagra6_MetaxasGQT.wav
rgds
Kostas
In regards to: <>
Well, I was one who did get that! I noticed that quick street sign shot the first time I watched the video and asked myself “Wow, is there really a street in downtown L.A. called “Nacht”? That is so cool!” I have been to Germany many times and knew its meaning and wondered if that street name was the inspiration for the title of the film… along with the fact that it was shot in almost total darkness it sounds like! Ok, well now we know how that was “shot”. Great job Vincent! I enjoyed this piece more and more with each time I watched it. Glad to know more about you and your work through all the various things you have put out with these new cameras. They will change all kinds of peoples work!
Next time you need some help in L.A. for a shoot like this, please contact me!
Very Exciting! Thank you so much for sharing this!
A shame the film has come down – would love to know if it can be found anywhere else or when you have it back up on your blog .. thanks
Wait…wasn’t this the video originally presented as being shot on the 7D?
Wow that’s cool.
Have you seen the new Nikon D3S? Check it’s awesome clip out! http://vimeo.com/9337388
I have been shooting on the 1d mk iv for a few weeks using the 50 mm Zeiss 1.4. The video quality at 1600 looks worse than your video shot at 6400, with visible noise, vertical and horizontal bands making the image almost unusable.
Is there anywhere online that describes the post production methods used for this short film?
Cheers (and wonderful work btw)
~Thomas
Vincent, I really loved this latest film so much. I’m new to video and i would greatly appreciate your help in deciding which camera to purchase. The 5D Mark II or the !D Mark IV? I have used the 5D Mark II before and loved everything about it. Is the !D Mark IV a better camera? If you had only one choice to make, which one would you get? Thanks again.
I like that light,looks so futuristic
Wow this is amazing love the lights too, this is just incredible,
really beautiful and stylish
it’s waste the video is taken down. if it is posted anywhere else please let me know. thanks
very nice!
I think it’s safe to say that every single filmmaker and photographer has always dreamed of cameras that can see what our naked eyes can see. This time these cameras can actually see more. Sure – they may not have the dynamic ranges of our eyes just yet – but they see more than my naked eyes can see in low light.
just looking around
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It’s finally launched. An awesome video with an awesome camera.Very Exciting! Thank you so much for sharing this!
Thank you so much for sharing this.Most powerful lines in video industry.
Light Camera & Action.
I just want to say thanks for this interesting thread about Lights Out, Camera, Action « Vincent Laforet’s Blog! Regards, Alexia Berater
写的真好,我收藏了!
good post|~
I am glad to read some fantastic ray ban article like this.
Vincent, exactly what lenses did you use on this shoot…
Just great stuff one question i have is there any camera in the market which give me both quality like photography along with telescopes.
than you for sharing here!!!!!!!!!!
Good morning, I really like your site. Topic is cool. I wonder from where you get your ideas? I also have got a website, but for me it is just the beginning. Feel free to visit my site. Maybe you will like it. Regards, Matt
You have given us some interesting points on ray ban. This is a wonderful article and surely worth reading.
I like your pots, I also like my ray ban sunglasses like this ray ban sunglasses.ray ban sunglasses.
Thanks for publishing on this topic. There’s a bunch of great technical info on the internet currently. You’ve got a lot of that info here on your website. I’m very impressed – I try to keep a couple of blogs fairly current, but it’s seemingly impossible sometimes. You have done a big job with this one particularly. How do you manage it?
Hey, what lenses di you use for this shoot?
Thanks
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baju korea online Reply:
November 3rd, 2013 at 5:38 am
@Caron Morrison, please read this blog rules.
Beautiful work, cheesy as some say but that wasn’t the point, the point was the camera capabilities. Still inkering with my camera, going to get busy…
As the movie has been removed I cant comment, but I have this camera using it to shoot collie dogs jumping fences in agility competitions at mach 3 speeds, let me tell you that the 1d mk 1v is not capable of catching sharp images indoors under OK lighting of these animals. The shutter speed has to be at least 1000 with the aperture wide open and even then the images are terribly grainy at 1600iso. So please send me a link to this film so that I can see exactly what this camera has done in the USA because the british models dont work the way you describe. Please let me see this video, can someone send me a link please.
Thanks for the effort sharing your experience. I just came across this post now and the video has been taken down, can’t wait to see it if up again!
Great post! I have to get myself one of those 5Ds sometime very soon I think.
Thanks for sharing your experience Vincent!
I’m not sure it worked, but I’m probably doing something wrong.Thanks for the post. I’ll definitely try it on my method.
Ground Lights
@kent, I very think it good!
so excellent in this blog!the picuture is very beautiful,i love it!
i am interesting in this blog!it open my eyes!
Awesome….. Vincent, you are the man 🙂
Hi
What about Vertical Banding and Rolling Shutter/Stutter? How did you deal with that?
Many thx in advance
wil
elementrikfilms.com
@thomas, yeah, me to i wonder how we deal wit vertical banding and rolling shutter/stutter? do you have tips/solutions? thx in advance! succes
grtz
w-
I’m not sure it worked, but I’m probably doing something wrong.Thanks for the post. I’ll definitely try it on my method.
Wonderful blog! I definitely love how it’s easy on my eyes and also the data are well written. I am wondering how I might be notified whenever a new post has been made.
Excellent post. Our camera is truly outdated. Was looking into one of these used and stumbled upon this post. Thanks for sharing.
Excellent post. Our camera is truly outdated. Was looking into one of these used and stumbled upon this post. Thanks for sharing. Thanks
Was looking into one of these used and stumbled upon this post. Thanks for sharing. Thanks
This is an old post, why people still comment on it?
nice video .. thanks for sharing the experience
Usually I do not read article on blogs, however I wish to say that this write-up very forced me to take a look at and do it! Your writing style has been surprised me. Thank you, quite nice article.
Great technique….so creative…..Keep up Bro……
By the way….nice to know your blog
so nice this content
I’m about to upgrade from a 5D to a 5DII, and though I won’t be enjoying the 1D4 high ISO insanity, I look forward to using the hell out of the video function (I recently shot a “video” with my 5D’s burst mode).
Thanks for sharing, great post! However, althought the 5D MK II is amazing in low light, external lighting is still needed for professional productions.
For amateur or professional videographers who don’t have the budget for professional lighting kits such as Arri kits or other brands, we’ve found an extremely cheap and professional custom lighting kit. The key is “colortrans” lighting, they’re professional lights made in the 1970’s and are extremely cheap on ebay compared to other lighting. After using a few $40 spot/floodlights and fresnels from ebay in our film productions, we’ve found they were very high quality and will continue to use them on all our shoots, even feature films.
We recommend spending $20-$40 a month on ebay on these colortrans lighting setups, and eventually within the year you’ll be surprised at how much of a kit you’ve built up!
If you’d like to check out any of our productions, please visit our site: http://mtprovideo.com
Cheers!
@Grant,
yeaa agree..
Wow, this post is good, my younger sister is analyzing these things, therefore I am going to inform her.
Good job man!
I actually like the “Reverie” better (even if some say its chessy). maybe it’s because there is more light and great background sound/music. But i guess in this one is meant to show the sensor capabilities in dark places! impressive really. Great job, and always love your work. Making me very inspired.
wow amazing..
That’s so sad when Canon wants to taken down the video, but that’s ok
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