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In the studio we have been working exclusively with Adobe Premiere for a year now, and haven’t looked back. The ability to natively edit video formats and dynamically link between different applications has made our workflow much smoother as we shoot a variety of different formats, from the H.264 to R3D codec. Last week, Adobe announced CS6. We have been fortunate enough to play with betas of Premiere and After Effects for CS6 for the past couple months, and in the above video – Jon Carr outlines some of our favorite features of the new Premiere Pro and After Effects. CS6 Production Premium applications also includes After Effects, Audition, Bridge, Encore, Flash Professional, Illustrator, Media Encoder, Photoshop Professional, and two new applications: Prelude and Speedgrade.
Premiere Pro has some cool new features – the most noticeable of which is the new default "two up" workspace, which places the source monitor and program monitor side by side at the top of the screen. Both monitors have also been given a sleek, new look, with panel bars that can easily be reconfigured. You will also notice that the Audio Mixer has undergone a redesign – acquiring some features from Adobe Audition. It is also now easier to browse and reorganize your media with resizable 16:9 thumbnails in the project window. Users will also notice notice an improvement to the shortcut keys and the customizable shortcut sets.
Sequences have also seen some improvements. You can edit blazingly fast in 5K (which was possible in CS5.5, but the feature has improved speed here) due to native support for RED’s .R3D files. There is also native support for ARRIRAW and Canon XF MPEG-2. You can also now use CS5.5’s Warp Stabilizer plugin directly within your Premiere timeline. This is a fantastic tool and it is now easier to access without having to roundtrip your project through After Effects to stabilize footage. Warp Stabilizer, as you may know, also allows you to smooth out shaky shots. Users will find that a new sequence now updates to match clip settings, and effects are easier to apply with adjustment layers.
For a full breakdown of the PRemiere CS6 features – check out the Press Release.
After Effects also has some amazing new features. They include a global RAM cache and a persistent disk cache, which basically means that you will have less render time when previewing your clips in AE. This is because you won’t have to wait for previously created/rendered frame to re-render when experimenting with new ideas. It also means that you will be able to open up earlier projects with the rendered cache still in tact and ready for immediate playback. CS6 also makes better use of your computers video card and OpenGL for overall faster and smoother operation.
AE includes a new 3D camera tracker that analyzes a 2D clip for motion and orientation to create a new 3D camera within the After Effects composition. It also creates camera tracking points on your 2D image, which makes it easier than ever to incorporate various elements into the scene. You can now also create ray traced 3D extrudes from text and shapes. There is also added capability to bend footage and compositions for more interesting lighting effects, new environment mapping for realistic reflections, and light refraction to mimic translucent and semi-translucent materials.
If you are interested in reading more about the new AFter Effects features – check out the
press release here.
There is also the brand new
SpeedGrade, which Jon details in the above video. This program is natively 64-bit and supports RAW, HDR, and many other formats, including professional interchange formats such as DPX. WIthin SpeedGrade, color corrections, masks, and filters are applied as layers, which can be rearranged and the effects of which can be influenced by an opacity slider. Aside from its color corrections tools, Speedgrade also comes with professionally designed Looks and effects.
I personally am really looking forward to
Adobe Prelude – which is included in the CS6 Production Premium. This application serves as the portal into your post production, as it allows you to manage all of your footage before it ever gets into Premiere – similar to what Lightroom does for Photoshop. You have the option of fully or partially ingesting your footage, so that only those clips which you want/need end up in your project file. Essentially you are media managing the project on the front end of the editing process. Additionally, you can transcode to your desired format while you ingest. Once footage is ingested, you can also do some further organizing – footage can be marked, and sub clipped, which is added to the file as metadata and transported with it throughout your entire workflow. You can also assemble a rough edit of selects, or a rough scene by dragging selects into a timeline and then exporting that sequence directly to Adobe Premiere. This application is an incredible tool for so many in today’s faster shooting environment, allowing you to begin your workflow on set by assembling dailies and sending all your notes through to the editor in a streamlined process.
CS6 will be on display at Adobe’s booth at NAB, be sure to check it out.
3D Camera tracker native in AE, AND the ability to import PR and FCP timelines is fantastic. A for sure upgrade.
I realize this has little/nothing to do with CS6 or commenting on that, but I’m really interested in the footage that was used to demo.
I’m assuming that all the footage is yours. I’m 100% sure that footage is in Sa Pa Vietnam, the Red Zhao tribe is very distinctive. Are you guys releasing a video about Vietnam and/or nothern Vietnam soon? I’m very curious because I have many people I could share it with.
Vincent Laforet Reply:
April 23rd, 2012 at 12:32 pm
That is Jon carr’s content – no short term plans to release a video at this time.
Hey Vincent/John,
I agree that PreLude is a much-desired tool for spotting, shot selection, commenting and rough cutting. I used to use OnLocation for this purpose, up until Adobe stopped support for DSLR files with the update to v 5.1. Since OnLocation is now dead and buried with CS6, it’s great to have PreLude take it’s place.
However, Any DIT should note that although PreLude can be used to write media from a media card to any number of designated drives (I love this!), you still need to insert a renaming step before doing so. Most cameras use identical naming structures and you can easily create a mess if multiple files with identical file names exist in a single project, coming from various cameras/days, etc.
Unfortunately, a user-definable renaming step did not make this first release of PreLude. I am convinced the Adobe team will figure it out for a future release, but DITs (or directors/producers) should be aware of its necessity. Caveat utilitor!
I like it.It means:you will have less render time when previewing my clips in after effect.very cool.It will be on top.
CS^ looks awesome on many levels but the only two things I like about the dogs breakfast which is FCPX are the keywords/favourites and search features to organise your media as you edit and the ability to easily go through Motion to make and adapt very nice custom transitions, astons and titles which I can send to people to include in their edits for me. Is CS6 able to approximate either of those features?
Hi Vincent, great news. I did not know you work with Adobe. I always use Adobe as only choice for video editing. I look forward for SpeedGrade and color corrections feature. I hope in the future Adobe get along with Final Cut Pro and for high end feature film…I place this news and you name in my daily art website. Have a nice days in NAB!
Excellent. Waiting for the day when they’ll all be combined into one program, but these new improvements look exciting. Thanks for putting this together.
What are the hardware requirements for “You can edit blazingly fast in 5K (which was possible in CS5.5, but the feature has improved speed here) due to native support for RED’s .R3D files.”.
I just bought a PC to replace my iMac and were hoping for blazing fast GPU support for playback of Epic R3D raw files but have this far been extremely disappointed as I’ve seen no notable effect in playback. Is the RED Rocket still gonna be the recommended way to go if you want full 5K playback?
Vincent Laforet Reply:
May 8th, 2012 at 3:54 pm
Yep – RedRocket is key part for true real time playback. You should be able to play 1/2 to 1/8 resolution playback in Premiere w/o one – all depends on RAM and disk.
Pretty much everything I could ask for in an upgrade, other than an integrated Plural Eyes type sync in Premiere.
Vincent – will you guys offer a detailed comparison of SpeedGrade with Davinci Resolve? This is very important to many people as BMD’s new cinema camera will include Resolve 9 for free – which you know.
For me, working with photoshop for years, having a native application within PPro that acts like photoshop with layers and masks will make my day. I’ve been learning Resolve but I feel like a child playing around inside of it.
I guess the big issue: can SG ingest xml?
Vincent Laforet Reply:
May 8th, 2012 at 2:54 pm
As soon as I find the time to learn both I will – I have both but have been too busy shooting!
CS6 really is going to revolutionize how we work, To purchase or rent in the next question?
I am in LOVE with the new Adaptive Wide ANgle feature on CS6’s photoshop. Now that you can simply click and drag a line to straighten an image is god sent!!!
Really looking forward to 3d camera tracking in AE.
In prelude is there a feature to match clips to externally recorded audio? This would seem like the most sensible place in Adobe’s workflow to match clean audio to your footage, instead of bringing in the clean audio on your Premiere timeline and choosing “Merge Clips”.
Have seen it w more than 16 – theoretically no limit – based on ram and hardware
Adobe Creative Suite (CS) is a collection of graphic design, video editing, and web development applications made by Adobe Systems. The collection consists of Adobe’s applications (e.g., Photoshop, Acrobat, InDesign), that are based on various technologies (e.g., PostScript, PDF, Flash). The latest version, Adobe Creative Suite 6 (CS6), was launched at a release event April 23, 2012, but will be released on May 07, 2012.
vincent–
have you left still photography pretty much behind? so much of your blog is about using ‘still’ cameras for video.
Vincent Laforet Reply:
May 8th, 2012 at 2:46 pm
No I shot a still commercial job last week actually. But I do make most of my living in the motion world these days.
Hi Vincent,
what graphics card would you recommend for best performance with Premier on a Mac Pro ?
Great review also – thanks !
Vincent Laforet Reply:
May 9th, 2012 at 10:09 pm
NVDIA CUDA Card
Dear Vincent Laforet,
Thank you for this clear blogpost. I’am curious about software for ‘filming’ the screen of a computer. Which software do you use?
Thanks in advance!
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