5D MKII Gadget: ATM Gyro
Above: These are a series of shots made with the unit pictured below – of a runner jogging down country roads, shot with a Canon 5D MKII and a 24~105mm lens (w/ stabilization turned off on that lens) during the Maine Media Workshops. See a larger version of this video here.
I’ve just gotten my hands on a very promising gadget that I think is perfect for anyone using the 5D MKII in a situation that requires external stabilization. The ATM is short for “Advanced Travel Mount” and was designed by Aerial Exposures primarily for aerial and ground based video (i.e. to shoot aerials from a helicopter or plane, or to shoot from a ground-based device such as a vehicle or even a boat.) But something tells me that creative filmmakers will be able to come up with many, many uses for this unit that no one has thought of yet.
While the unit will be a bit pricey for some – the two KS-8 Gyros cost close to $7,000 alone – it’s something that aerial photographers / the film industry will find extremely enticing when you compare this unit to other units that sell for 20X to 50X more. The ATM kit sells for $11,495 w/ two KS-8 Gyros, and for $4,495 w/ case if you already own gyros and want to buy it separately. Basically the unit consists of a mount for the camera that dangles from a bungee cord with two Kenyon Labs Gyros hanging below – each mounted at a 45 degree angle from one another. The two gyros spin independently – and long story short – the camera in effect almost “floats” regardless of how bumpy the ride. (Within reason of course.)
The Result: pretty amazingly stable video from a moving car on a bumpy street. On the second example below – you’ll see the trunk gate from the rear of the vehicle we were shooting from violently bounce as the SUV drives over a pothole in the Wall Street area of New York City – notice how the runner stays perfectly steady. That’s a pretty amazing result from a sub $12K unit. I can see this unit being used with vehicles/boats/planes to pull off some pretty high end moves – and I can also see some indy filmmakers finding new ways to use this as a substitute for dolly shots or any shots where you need a rock steady image.
Above: Here is another video – this one shot with a Canon 5D MKII as well, a 24~70mm 2.8 – notice how much the rear gate of the SUV moves in relation to the image when the SUV hits a pothole. See a larger version of this video here.
And for those that don’t want to buy one – more of these units are becoming available for rent and are extremely affordable compared to other aerial/ car stabilization devices. Some of you may still be shocked at the $12K price tag – but you should realize that the higher end devices are astronomical in price (Cineflex, Spacecam and others) those are are in the $250,000 to $750,000 (and up and up) range.
One should note that almost all of the competing devices have to be mounted on the helicopter / plane – and that costs quite a bit more and involves filing paperwork with the FAA. Whenever I’ve traveled abroad – these units needs to be shipped overseas, and you need to ground the helicopter for a few hours before the flight and after to mount and unmount these larger devices for example – it’s an ORDEAL. With this unit – it fits in a carry-on case! When you’re ready to shoot, you secure the ATM on the back of your car / truck / helo / boat other with straps/other safety devices – and you’re pretty much good to go. No FAA paperwork – no headache. The unit runs off of the KS-8 batteries or can run off high AMP AC power from your vehicle/aerial platform.
So if you’re looking to produce some Hollywood like moves but don’t have a major budget – this ATM device is relatively incredibly affordable – and it allows you to pull off some pretty amazing stabilization moves that are generally within the grasp of only high-end commercial productions. I know that I like it so much – that I debated whether or not to share this with everyone – or to keep it as part of my “secret 5D MKII arsenal…”
And one more thing: I recently spent a great week with 14 students/colleagues at the Maine Media Workshops to show them some of the ins and outs of filming with the Canon 5D MKII. I’ll mention some of the other gadgets that I introduced them to in future posts – but the ATM ending up playing a pretty key part of the final resulting video. Here is a link to that video (you’ll in effect see some of the above shots in full 1080p HD) – and keep in mind that many of these students had never worked on a video production before – to many this was the first time that they were asked to work as a team, to quickly develop a screenplay, to direct, light, DP, produce, record audio, edit, grade – not to mention that they had to learn each piece of gear and how to use it correctly! We really covered a tremendous amount of ground in less than a week.
I’m really quite proud of what they pulled together. We spend 2 and a half days shooting together in the end- and edited a piece together just in time to make the final show on the last evening of the workshop. I highly recommend the Maine Media Workshops to anybody interested in sharpening their skills in either still photography or film.
P.S. If anyone in the Los Angeles area is interested in trying the ATM model out – I’d be happy to rent it out. Heck I might even ship one out if someone from outside of the LA area is interested. Let me know.
Holy cow. First off, the piece itself is great and these students did a great job in a week no less! Yea for them!
I’d really love to know in advance when your doing this. I bet you broadcast this early but I missed it.
I don’t want to do full motion but want to learn more about multi-media i.e., still photographs, Film (motion) and voice-over with B-Roll.
Vincent Laforet Reply:
September 4th, 2009 at 12:19 pm
@Tom, Tom – so I should be clear that almost all of the courses that I reach are much more centered around film / shorts / narratives. I’m not sure the 5D MKII is best suited for docs at this point – when they put audio levels, timecode, headphone jacks and a better way of focusing while recording in there – then I’ll be all behind it… You should check out the NPPA’s Multimedia seminars and the Platypus Workshops for what you are currently looking for.
Vincent,
First of all thanks for the posts – I’ve really enjoyed hitting your site up.
This rig is amazing! are they in production yet? We are planning a shooting November to the Marshal Islands and will be doing a shooting off of boats – I’ve been struggling as to how we can get clean shots on the open ocean, this looks like the solution.
If you are interested in renting please let me know. We are based in Canada.
Thanks again.
S,
Vincent Laforet Reply:
September 4th, 2009 at 12:20 pm
@shaun, Yep – they’re in production. I believe you’ve had a chance to contact Arnie about a rental.
Stellar video!
I’ve heard a lot about some very cheap options for hand-held 5dmkII video shots – like go to your local hardware for $15 kind of cheap. Is there something usable that’s under $100?
Vincent Laforet Reply:
September 4th, 2009 at 12:21 pm
@A Photojournalist Who Blogs, Well stabilization isn’t cheap… here is one link that works pretty amazingly compared to the cost. But if you want professional results… it’s going to cost you a bit more… http://tech.yahoo.com/gd/make-the-world-s-cheapest-tripod/209007
Harry Rabin Reply:
May 14th, 2010 at 1:01 am
@Vincent Laforet, Actually we built our own rig for under 200.00 in parts and it holds 2 Kenyon Gyros. It works FANTASTIC. We’ve had it in cars , planes trains and boats with up to 25lb camera rigs, DSLRs to HPX300. You can check out a video we did that compares the gyro rig to a fixed camera. We are currently using it on a feature film. Check it out on vimeo at:http://vimeo.com/10712954 and I’ll share the info on the rig with anyone who needs it! THANK YOU FOR ALL YOUR GROUND BREAKING DSLR work Vincent!
Vincent Laforet Reply:
January 12th, 2011 at 9:53 pm
You’re more than welcome – and thanks for taking the time to let us know!
Great , but so expensive :O
Vincent Laforet Reply:
September 4th, 2009 at 12:22 pm
@Angel Conde, It is – but it’s SO INEXPENSIVE – relative to the other products out there. You can never lose sight of that. That being said – in this economy – everything seems more expensive these days doesn’t it?
Great post about gyros. You can rent Kenyon gyros from LensProToGo for very affordable weekly, fortnightly or monthly rates. Certainly a lot more practical than buying one and using it a couple of times a year!
http://lensprotogo.com/shopping/start.php?browse=1&cat=15&=SID
hey vince,
great meeting you at the collison conf. i spoke to arnie at aerial exposure last week about the ATM. He refered me to Blue Sky aerials up in the bay area to check it out. since you are next door in MB, i would love to take you up on your day rent offer. how is the end of next week for you?
watch for a copy of gerry lopez’s book coming your way. great pipeline stories.
best
david 917-439-3324
Vincent Laforet Reply:
September 4th, 2009 at 12:25 pm
@David Harry Stewart, sure – contacting you directly.
Marty Oppenheimer Reply:
September 4th, 2009 at 6:06 pm
Arnie has two dealers in the US, Blue Sky Aerials in San Francisco and Oppenheimer Cine Rental in Seattle. We both carry demo/rental systems, both of the new ATM and the larger LSG (capable of full size HD cameras and even some 35mm film cameras).
Both Tom and I rent and sell these units, so if you’re in the western US or western Canada, let us know and we can both support your needs.
Marty Oppenheimer
Oppenheimer Cine Rental
Oppenheimer Camera Products
Seattle
206-467-8666
Hi Vincent
Did you ever tried the Merlin Steadicam
I have one, but I guess that its almost impossible to make it work with a SLR…
Thanks,
Fernando Guerra
Vincent Laforet Reply:
September 4th, 2009 at 5:53 pm
@Fernando Guerra, The Merlin works well w/ the 5D MKII- most steadicam systems work pretty flawlessly as a matter of fact! A steadicam is a very different beast than what you’re seeing here – while you can mount a steadicam to the hitch of a truck or put an operator in one – it’s really not the same solution at all.
Hi Vincent,
I can not help but notice a jitter, or line go through the footage in many 5D MII shots with there is reasonable movement…I have read this being due to the sensor, and notice it also happened in the clip of the girl running.
It would be easy to pass this off as a codec issue, but I have seen it do this straight out of the camera…I don’t see how this is acceptable quality.
Can you provide your opinion on this please?
Luke
Vincent Laforet Reply:
September 10th, 2009 at 1:41 am
@Luke, You’re most likely referring to the “Jello” effect – something that is an inherent weakness with any CMOS sensor
Hi Vince
You know if in italy ther is someone who rent gyro stabilizer?
I think no..why here all it’s so difficult?
Thank you for your work .I grow up every time you post a video or a photo
By
Vincent Laforet Reply:
September 10th, 2009 at 1:42 am
@alessandro, The unit is brand new – so at this point I’m not sure if you can rent it in Italy yet – contact aerialexposures.com and they might be able to help you
Hi Vincent,
Nice to see you back!
Vincent Laforet Reply:
September 10th, 2009 at 1:42 am
@Arno, thanks!
Arnie has made interesting mounts for quite a while. I know two helo pilots who have four Ken-Lab gyro rigs from Arnie. One gyro on the X axis, one of the Y Axis and two on the Z access for super stability.
Ron Chapple has a similar rig for HD video that he uses on a pick-up truck and as a front mount for an A-Star.
Arnie makes great tools!
Vincent Laforet Reply:
September 10th, 2009 at 1:42 am
@Cameron Davidson, That he does! This ATM is really nice for the smaller cameras – but you need to go to Arnie’s larger models for larger cameras – no debate
Thanks for the letting the cat out of the bag! And sharing this great tool … did you use a jib on those two shots: crane up on car and crane up as she runs down to the bay.
Bet you would have loved this rig on “Reverie”? Is it similar to the one you used in the hand-held shots when he grabs the flowers?
Thanks Vincent.
Keep ’em Comin,
J-Dog
p.s. fun interview at planet5d.com, Mitch told me he was going to interview you at “Collision” …
Vincent Laforet Reply:
September 10th, 2009 at 1:44 am
@J-dog, We used the Microdolly for both of the JIB moves. I would definitely haved loved this and many many more rigs on reverie 😉
Unreal…. I’ve drooled in the past, but i don’t think i’ve ever drooled this much in one blog post. And honestly, a 12K investment is peanuts when compared to the opportunities it potentially opens up for a filmmaker of any kind.
Thanks for sharing, absolutely fantastic.
where I am gyro pita are much cheaper, believe me.
Vincent,
I am going to ask a stupid question. Forgive me about it… In the country runner shot I was impressed not just by the smoothness of the movement, but by the way we could hear perfectly the runner breathing but no trace of the truck sound or the sound of its tires on the road or the metal sounds that could possibly come from the truck bed.
How do you achieve that?
Amazing!! Is there anyone who wants to trade my 40D off against a 5D MarkII? 🙂
I’m really fascinated by all the new prospects!! Lo and behold!
Okay, Vincent…. If I can’t gain ground at the theater-world after studying, I’ll come to you for an internship 🙂
Keep on watching!!
… And happy new year.
Sebastian
Vincent – Just checked out your rig – great stuff. Is the offer still out there to rent in the LA area? If so, please email me.
Thanks,
Anne
hi vincent!
i`m felipe, from curitiba south brazil.
please, to do the truck shot above, could it be done with only one KS-8 gyro? The ks-8 isn`t for a 8 to 12 ponds?
how difficult is to mount the ATM? how long it takes?
thanks!
by the way, i love your job!!
congrats!
i tested the kenyon and noticed that it’s very very loud. Is there anyway to muffle this noise? How did you over come this problem?
Vincent Laforet Reply:
January 12th, 2011 at 9:52 pm
That’s the ONE negative to it from being an every day tool – no way to muffle the high pitched whine of the Gyros..
Great share thanks!
Hi Vincent,
Great stuff! I’m in the Los Angeles area and looking to rent the ATM or something similar. Would love to rent from you if the offer is still available, otherwise do you have any rental house suggestions? Thanks!
jim.
Vincent Laforet Reply:
January 12th, 2011 at 9:52 pm
You should be getting an e-mail in your inbox seconds from now
@Vincent Laforet,
Hi I’m a film maker in LA as well. would love to get the same information from you as Jim. Looking into testing out some sort of steady device on a fast moving vehicle.
Thanks a bunch.
GL
Great blog, Vincent.
Question. Do you think a 5D would do a great job used on an aerial exposure rig in a helicopter?
My main concern is the rolling shutter in the 5D MKII vs. a larger chip CCD in one of my video cameras. By the looks of that pot hole footage in the street it seems like the stabilizer rig did a good job safeguarding the camera from violent motion that would bring attention to a rolling shutter.
Your opinion would be greatly appreciated and will be helpful to a flight I’m shooting in a couple days.
Hi Vincent,
I’m really impressed with the ATM’s results. I’m living in Turkey and I was looking for a reasonably priced gyro stabilized platform for aerial video and photography. I know that you have a lot of different experiences with 5D Mark II. I thought you might give me some idea about where to start. I want to control all three axis (I can accept two axis if it becomes mandatory)apart from stabilization with gyros. Do you think that I can find a product that I can combine with ATM. A three axis gimbal for example. I would be appreciate for any kind of help. Thanks.
Can
Hi Vincent,
I’m in the LA area and will be shooting aerial footage soon using a 5D and this peaks my curiosity. Let me know if we can connect offline to discuss further.
Thx!Dan
Bonjour Vincent,
Je souhaiterais louer un gyro pour une prise de vue depuis un hélicoptère. A qui dois-je m’adresser en France ?
Merci d’avance.
++
Quentin
hi Vincent , I am a D.O.P. in S.A. and have been looking for something like this for a while
looks great !
i have a job coming up now and would be keen to use the ATM. with the 5DMK2.
Great post. I used to be checking continuously this blog and I’m impressed! Extremely helpful info specially the ultimate phase 🙂 I handle such information much. I was seeking this particular info for a very long. Thank you and best of luck.
Which ATM Gyro will be suitable for the Sony HXR NX5E and where will it be available in Europe?
Vincent Laforet Reply:
August 20th, 2011 at 10:59 am
The small version would absolutely work well. Keep in mind the ATM’s strength is in stabilizing shots – you can tilt up well, but pans are limited (the gyros fight you…)
This is a pretty sweet rig for the price.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=180688219458#ht_500wt_1363
Thanks for any other wonderful post. The place else could anyone get that type of info in such a perfect means of writing? I have a presentation subsequent week, and I am at the look for such info.
I’m just coming across this post as I’ve been searching the web about the ATm Kenyon Gyros. I”ll be doing some aerial footage with the gyro and was wondering if the ks-6 would be suitable for that. I’ll be shooting with the 5D. I’ve been reading around and some people actually suggest using two KS-8 gyros.
Also, I saw that on lensprotogo.com they have the KS-6 available. also.
Thanks!
very good. Nice. Thanks!!
Hi Vince,
Im writing from Dubai. Just about to get one of these (used unit). Thanks for your review and the insight you provided.
Regards,
Ashraf
Hi Vincent,
Last min, but we are looking for gyro like the one you have for rental tmrw. We tried to call blue sky areal but they didn’t answer. We are in LA. Please let me know if it is available and your phone number if you get this on time. Thanks.
Vincent Laforet Reply:
February 18th, 2013 at 7:08 am
Sorry I’ve been on the road all year and didn’t see this til now…
Are you currently in Los Angeles? I am interested in renting the ATM out for a shoot this weekend. Let me know if this is available.